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EDITED BY DRS. SCHMITZ AND ZUMPT.
P. VIRGILII MARONIS
BLANCHARD AND LEA.
THE text of this edition of Virgil is mainly adopted from that of the school edition of Wagner, published at Leipzig in 1845. In certain matters of orthography, the mode usually pursued in this country, and to which our dictionaries are adapted, has been employed, instead of that to which Wagner has been led, from his faithful adherence to manuscript authority. Thus, for conponere, saepes, maestus, temptabunt, we have given componere, sepes, moestus, tentabunt. Without entering into the complicated questions which arise on this topic, it has appeared to us that the battle must be fought elsewhere; and that it is our province not to lead in such matters, but to follow. The punctuation, on which so much depends for the right understanding of an author, has been carefully attended to, and adjusted so as best to bring out the meaning, without that minute subdivision which serves to perplex rather than to guide.
In the notes, the Editor has of course availed himself of the most distinguished commentators, ancient and modern. At the same time he has exercised an independent judgment in selecting and adapting them, and in bringing before the reader such views of his own as he deemed to be useful. The great object has been to give such information and guidance on points grammatical, critical, mythological, geographical, and historical, as may lead the learner to understand and to feel the aim, the thoughts, the allusions, and the beauties of the author, without interfering with the exercise of his own powers and industry. Peculiarities and anomalies in prosody are duly pointed out. Some attention has been given to illustrate Virgil by a comparison with passages in our own poets; and these the judicious teacher will do well to multiply. Indeed one great aim has been not only to inform the scholar, but to guide the less-experienced instructor as to the points to which it is desirable he should direct the attention of his pupils. Hence it will be observed that the geographical and mythological notices are of the briefest kind, and enter only into
such explanations as tend to elucidate the passage in which they More than this is left to the dictionary. Some pains have also been taken to make the Arguments as full as possible, that a clear exposition of the author's main object may awaken a corresponding intelligence on the part of the reader. To under stand the current of a writer's thought, is the only way to understand and relish his single passages, his choice of epithets, and his skill in weaving a consistent whole.
It will be observed that a running commentary has not been given on the whole of the Georgics. They ate seldom read throughout in schools; not for their want of beauty, but because a didactic poem is not so well fitted to interest the young as a narrative or a dialogue. But there are some passages in the Georgics which universal consent points out as among the finest efforts of Virgil's muse, and which are eminently captivating even to a young mind. These are the praises of Italy in the First, and of a rural life in the Second Book, and the story of Aristaeus in the Fourth. To these notes have been given. In conformity with the plan pursued in the various works of this series, a life of the Author has been prefixed, in which an attempt is made to bring the learner into contact with him, and thus prepare the mind to appreciate his excellencies, and to account for his defects.
EDINBURGH, July 20, 1848
the great Epic Poet of Rome, was born on the 15th of October, B. c. 70, in the consulship of Cp. Pompeius, and M. Licinius Crassus, the men who, ten years afterwards, combined with Julius Caesar to form what is sometimes called the First Triumvirate.' Horace, destined to be his bosom friend, was born five, and Octavianus, ⚫ afterwards Augustus, on whom so much of his life depended, seven years after him. His native place was Andes, in Cisalpine Gaul, a few miles from Mantua, to which latter town his birth is often ascribed, as when he is termed 'the Mantuan bard.' Mantua is situated on a marshy lake formed by the Mincius (the modern Mincio), about twelve miles above the place where it joins the Po, on the north bank. The Mincius flows from the Lacus Benacus, a noble lake (now the Lago di Garda), which Virgil has not left unsung.1 About three miles below Mantua is the birthplace of our poet. Tradition, as early at least as the time of Dante,2 identified, as it does still, this spot with the modern Piétola, a small but neat village in a flat though fertile and well-wooded country, still waving with the spreading beech and lofty elm. Here a farm is still called Virgiliana, which is said to have been that possessed by the poet; but the features of the country in the neighbourhood, which is low and unpicturesque, do not bear out the hints which we can gather from the poet of his residence; while the Min cius, with its reedy banks and lazy course, is by him faithfully and graphically described.'
There are various accounts of the occupation of his father; and these are so blended with manifest absurdities regarding the
'Georg. ii. 160.-Purgatorio, xviii. 82.-Ecl. vii. 12; Georg. iii. 14.