Musical Aesthetics: The nineteenth centuryEdward A. Lippman Pendragon Press, 1986 - 1445 strán (strany) The second volume of this anthology of musical aesthetics proceeds from the rational, common-sense examination of the 18th-century artistic experience to the realm of 19th-century expressiveness. The rational foundation of aesthetics gave way to an emphasis on an art form's strength of feeling and expressive power, a purity of the creation and the creator. No longer confined to a restricted sense of beauty, music admitted the violent, the enormous and the ugly into its sphere of emotion, now the era of romanticism and Sturm und Drang. These developments are here detailed in the writings of Wackenroder, Herder, Thibaut, Schelling, Hegel, Schopenhauer, Kirkegaard, Wagner, Hanslick, Ambros, Nietzsche, Spencer, Gurney, and Haussegger. Through them we see the classical province of proportion, educated taste and contained expressiveness recede, and the emotional realism of music come to the fore. |
Obsah
der Kunst 1899 53435 | 5 |
Herder Kalligone 1800 | 33 |
Schelling Vorlesungen über die Philosophie | 67 |
Hegel Vorlesungen über Ästhetik 181820 | 85 |
Schopenhauer Die Welt als Wille und Vorstellung 181944 | 163 |
Kierkegaard EitherOr 1843 | 193 |
Wagner Oper und Drama 1851 | 215 |
Hanslick Vom MusikalischSchönen 1854 | 265 |
Wagner Beethoven 1870 | 359 |
Nietzsche Die Geburt der Tragödie 1871 | 373 |
Nietzsche Über Musik und Wort 1871 | 381 |
Spencer The Origin and Function of Music 1857 | 399 |
Gurney The Power of Sound 1880 | 421 |
Hausegger Musik als Ausdruck 1885 | 437 |
451 | |
457 | |
Iné vydania - Zobraziť všetky
Časté výrazy a frázy
absolute absolute music abstract accompaniment according actual aesthetic alliterative verse already animals appearance artistic aspect beautiful become Beethoven Berlioz character characteristic chords church composer conception connection consciousness contrast dance definite distinct Don Juan dramatic Eduard Hanslick effect element emotions enjoyment entirely essential excitement existence external fact feeling fundamental gesture harmony hearing human voice ideal ideas imagination impression independent individual inner language libretto lyric lyric poetry manifestation matter means melody merely mind mode mood motion movement Mozart musical composition musical expression musician nature notes object opera orchestra organ painting Palestrina particular passion pleasure poem poet poetry precisely present principle produced purely musical regard relation rhythm rhythmical Richard Wagner Romeo and Juliet Schopenhauer seducer sense sensuous singing song soul sound speak speech spirit symphony things thought tonal tone understanding unity utterance verse vibrations virtue vocal music whole wholly words