Shakespeare, Ben Jonson, Beaumont and Fletcher: Notes and LecturesEdward Howell, 1874 - 318 strán (strany) |
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Strana 14
... compared to our serious opera than to the tragedies of Shakes- peare ; nevertheless , the difference is far greater than the likeness . In the opera all is subordinated to the music , the dresses , and the scenery ; -the poetry is a ...
... compared to our serious opera than to the tragedies of Shakes- peare ; nevertheless , the difference is far greater than the likeness . In the opera all is subordinated to the music , the dresses , and the scenery ; -the poetry is a ...
Strana 25
... comparing it with the Latin , we find it less perfect in simplicity and re- lation - the privileges of a language formed by the mere attraction of homogeneous parts ; -but yet more rich , more expressive and various , as one formed by ...
... comparing it with the Latin , we find it less perfect in simplicity and re- lation - the privileges of a language formed by the mere attraction of homogeneous parts ; -but yet more rich , more expressive and various , as one formed by ...
Strana 39
... compared with the preceding philo- sophy and poetry even of Frenchmen themselves . The second form , or more properly , perhaps , another distinct cause , of this diseased disposition is matter of exultation to the philanthropist and ...
... compared with the preceding philo- sophy and poetry even of Frenchmen themselves . The second form , or more properly , perhaps , another distinct cause , of this diseased disposition is matter of exultation to the philanthropist and ...
Strana 44
... compared well To one sore - sick , that hears the passing bell . " Then shalt thou see the dew - bedabbled wretch ' Turn , and return , indenting with the way : Each envious briar his weary legs doth scratch , Each shadow makes him stop ...
... compared well To one sore - sick , that hears the passing bell . " Then shalt thou see the dew - bedabbled wretch ' Turn , and return , indenting with the way : Each envious briar his weary legs doth scratch , Each shadow makes him stop ...
Strana 57
... , and by its imagery elicit truth at a flash ; that it be impassioned , and be able to move our feelings and awaken our affections . In comparing Recapitulation, and Summary of the Characteristics Shakespeare's Dramas.
... , and by its imagery elicit truth at a flash ; that it be impassioned , and be able to move our feelings and awaken our affections . In comparing Recapitulation, and Summary of the Characteristics Shakespeare's Dramas.
Iné vydania - Zobraziť všetky
Shakespeare. Ben Jonson. Beaumont and Fletcher: Notes and Lectures Samuel Taylor Coleridge Úplné zobrazenie - 1874 |
Shakespeare. Ben Jonson. Beaumont and Fletcher: Notes and Lectures Samuel Taylor Coleridge Úplné zobrazenie - 1874 |
Shakespeare. Ben Jonson. Beaumont and Fletcher: Notes and Lectures Samuel Taylor Coleridge Úplné zobrazenie - 1874 |
Časté výrazy a frázy
admirable Adonis ancient appear audience Beaumont and Fletcher beauty BEN JONSON Brutus Cæsar cause character circumstances comedy comic contrast Cymbeline devil dialogue drama dramatists effect excellent excitement exquisite fancy father fear feeling fool genius Greek Hamlet harmony hath heart heaven Hence Henry honour human Iago Iago's images imagination imitation instance intellect Jonson judgment Julius Cæsar language Lear Lear's Love's Labour's Lost Macbeth means ment metre mind moral nature noble object observe Othello passage passion perhaps persons play pleasure poem poet poetic poetry Polonius present reason Richard Richard III Romeo and Juliet scene Sejanus sense Seward Shake Shakespeare Shakespeare never Shakespearian soliloquy speare speech spirit supposed syllable thee Theobald thing thou thought tion Titus Andronicus tragedy Troilus and Cressida true truth Twelfth Night unity verse Warburton whilst whole words
Populárne pasáže
Strana 142 - Amen, amen ! But come what sorrow can, It cannot countervail the exchange of joy That one short minute gives me in her sight. Do thou but close our hands with holy words, Then love-devouring death do what he dare. It is enough I may but call her mine.
Strana 171 - Rather proclaim it, Westmoreland, through my host, That he which hath no stomach to this fight, Let him depart; his passport shall be made And crowns for convoy put into his purse. We would not die in that man's company That fears his fellowship to die with us.
Strana 231 - It will have blood, they say ; blood will have blood : Stones have been known to move, and trees to speak ; Augurs, and understood relations, have By magot-pies, and choughs, and rooks, brought forth The secret'st man of blood.
Strana 88 - Subtle as sphinx ; as sweet, and musical, As bright Apollo's lute, strung with his hair ; And, when love speaks, the voice of all the gods Makes heaven drowsy with the harmony.
Strana 185 - This is the excellent foppery of the world, that, when we are sick in fortune,— often the surfeit of our own behavior,— we make guilty of our disasters the sun, the moon, and the stars: as if we were villains by necessity; fools by heavenly compulsion; knaves, thieves, and treachers, by spherical predominance; drunkards, liars, and adulterers, by an enforced obedience of planetary influence...
Strana 87 - But love, first learned in a lady's eyes, Lives not alone immured in the brain, But, with the motion of all elements, Courses as swift as thought in every power, And gives to every power a double power, Above their functions and their offices.
Strana 143 - For thou wilt lie upon the wings of night, Whiter than new snow on a raven's back. Come, gentle night: come, loving, black-brow'd night Give me my Romeo: and when he shall die, Take him and cut him out in little stars, And he will make the face of heaven so fine That all the world will be in love with night And pay no worship to the garish sun.
Strana 225 - Good sir, why do you start ; and seem to fear Things that do sound so fair? — I' the name of truth, Are ye fantastical, or that indeed Which outwardly ye show? My noble partner You greet with present grace, and great prediction...