Shakespeare's SoliloquiesRoutledge, 15. 4. 2013 - 224 strán (strany) First published in 1987. |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 5 z 47.
Strana 3
... becomes evident that Shakespeare's creative genius was not only in innovation, but that he was also an inspired borrower who took whatever he required from heterogeneous sources, in order to develop it further into new combinations ...
... becomes evident that Shakespeare's creative genius was not only in innovation, but that he was also an inspired borrower who took whatever he required from heterogeneous sources, in order to develop it further into new combinations ...
Strana 5
... becomes relevant, namely, to what extent does a soliloquy now also give expression to a false or distorted self-image, to an element of self-deception, or even a deliberate attempt to deceive others? This has been discussed time and ...
... becomes relevant, namely, to what extent does a soliloquy now also give expression to a false or distorted self-image, to an element of self-deception, or even a deliberate attempt to deceive others? This has been discussed time and ...
Strana 6
... becomes apparent also that the instinctive dramatist in Shakespeare sensed early on the latent possibilities of dramatization within the soliloquy, of the process whereby monologue becomes dialogue, the speaker being split into selves ...
... becomes apparent also that the instinctive dramatist in Shakespeare sensed early on the latent possibilities of dramatization within the soliloquy, of the process whereby monologue becomes dialogue, the speaker being split into selves ...
Strana 9
... become quite clear, must be aired and clarified in soliloquy. In the great tragedies it becomes apparent in the soliloquies more than anywhere else that, concurrent to the sequence of outer events, there always runs a sequence of inner ...
... become quite clear, must be aired and clarified in soliloquy. In the great tragedies it becomes apparent in the soliloquies more than anywhere else that, concurrent to the sequence of outer events, there always runs a sequence of inner ...
Strana 10
... becomes apparent when different sets of questions are juxtaposed. Thus, while questions about the outer and inner need for a soliloquy, its function or its subject matter, may equally well be applied to plays by other dramatists, much ...
... becomes apparent when different sets of questions are juxtaposed. Thus, while questions about the outer and inner need for a soliloquy, its function or its subject matter, may equally well be applied to plays by other dramatists, much ...
Obsah
1 | |
13 | |
3 SOLILOQUIES FROM THE COMEDIES AND ROMANCES | 45 |
4 SOLILOQUIES FROM THE TRAGEDIES | 88 |
5 CONCLUSION | 179 |
NOTES | 193 |
SELECT BIBLIOGRAPHY | 210 |
Iné vydania - Zobraziť všetky
Shakespeare's Soliloquies: The Presidential Address of the Modern Humanities ... Wolfgang Clemen Zobrazenie úryvkov - 1964 |
Časté výrazy a frázy
abstract action actor already Angelo apostrophe appearance audience audience’s awareness becomes beginning Brutus Caesar character Clemen comedy comic contrast conventions convey Cymbeline dagger death deed Desdemona dialogue difficult dramatic dramatists effect Elizabethan emotions epithalamium expression eyes Falstaff father feeling figure final finally find first act first soliloquy follow Gentlemen of Verona gestures give Hamlet hath Helena Henry IV honour Iachimo imagery imagination Imogen’s impression influence Isabella Juliet julius Caesar King Lear Lady Macbeth language Launce Lear’s lines London loquy Lucius magic Malvolio mind monologue murder nature night Othello particular passage personification powers preceding presented Prospero questions reflection rhetorical Richard Richard III Romeo Romeo and juliet scene sense sentence sequence Shakespeare Survey Shakespeare’s plays Shakespeare’s soliloquies significance situation sleep soli speak speaker specific speech spoken stage style thee There’s thou thoughts tragedies tragic Twelfth Night Tybalt vision words