Shakespeare's SoliloquiesRoutledge, 15. 4. 2013 - 224 strán (strany) First published in 1987. |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 5 z 40.
Strana 3
... expression of emotion, with introspection and with what Matthew Arnold called 'the dialogue of the mind with itself '.'* Most of the reference works also provide us with a definition of this sort, tracing it back to St Augustine, who is ...
... expression of emotion, with introspection and with what Matthew Arnold called 'the dialogue of the mind with itself '.'* Most of the reference works also provide us with a definition of this sort, tracing it back to St Augustine, who is ...
Strana 5
... expression to a false or distorted self-image, to an element of self-deception, or even a deliberate attempt to deceive others? This has been discussed time and again in Shakespeare criticism. To what extent are the conventions and ...
... expression to a false or distorted self-image, to an element of self-deception, or even a deliberate attempt to deceive others? This has been discussed time and again in Shakespeare criticism. To what extent are the conventions and ...
Strana 6
... expression, treating it as a necessary supplement to dialogue, not just as a useful, or even indispensable, dramaturgical device. Thus in Shakespeare we note these two concurrent skills: with great case he 6 Shakespeare's soliloquies.
... expression, treating it as a necessary supplement to dialogue, not just as a useful, or even indispensable, dramaturgical device. Thus in Shakespeare we note these two concurrent skills: with great case he 6 Shakespeare's soliloquies.
Strana 8
... expression of a disturbed mind, or as the largely unconscious words of a character half asleep or intoxicated. Thus the drama critic William Archer (I852~1924), who won fame through his translation of Ibsen's plays, was of the opinion ...
... expression of a disturbed mind, or as the largely unconscious words of a character half asleep or intoxicated. Thus the drama critic William Archer (I852~1924), who won fame through his translation of Ibsen's plays, was of the opinion ...
Strana 9
... expression which at this point in time seems so necessary and so convincing that no further justification is needed. Under such circumstances we do not inquire into the conventions connected with the soliloquy. The soliloquy expresses ...
... expression which at this point in time seems so necessary and so convincing that no further justification is needed. Under such circumstances we do not inquire into the conventions connected with the soliloquy. The soliloquy expresses ...
Obsah
1 | |
13 | |
3 SOLILOQUIES FROM THE COMEDIES AND ROMANCES | 45 |
4 SOLILOQUIES FROM THE TRAGEDIES | 88 |
5 CONCLUSION | 179 |
NOTES | 193 |
SELECT BIBLIOGRAPHY | 210 |
Iné vydania - Zobraziť všetky
Shakespeare's Soliloquies: The Presidential Address of the Modern Humanities ... Wolfgang Clemen Zobrazenie úryvkov - 1964 |
Časté výrazy a frázy
abstract action actor already Angelo apostrophe appearance audience audience’s awareness becomes beginning Brutus Caesar character Clemen comedy comic contrast conventions convey Cymbeline dagger death deed Desdemona dialogue difficult dramatic dramatists effect Elizabethan emotions epithalamium expression eyes Falstaff father feeling figure final finally find first act first soliloquy follow Gentlemen of Verona gestures give Hamlet hath Helena Henry IV honour Iachimo imagery imagination Imogen’s impression influence Isabella Juliet julius Caesar King Lear Lady Macbeth language Launce Lear’s lines London loquy Lucius magic Malvolio mind monologue murder nature night Othello particular passage personification powers preceding presented Prospero questions reflection rhetorical Richard Richard III Romeo Romeo and juliet scene sense sentence sequence Shakespeare Survey Shakespeare’s plays Shakespeare’s soliloquies significance situation sleep soli speak speaker specific speech spoken stage style thee There’s thou thoughts tragedies tragic Twelfth Night Tybalt vision words