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admiration appear beautiful believe better body brought called cause character Charles Countess course criticism daughter doubt drama Earl effect exhibited eyes face fact father feel followed genius give hand happy head heart honour hope hour human imagination interest Italy John king Lady late least leave less light living look Lord manner married matter means mind Miss nature never night object observed once original party passed perhaps person play pleasure poor possessed present produced reader received respect scene seemed society spirit supposed sure taken taste tell theatre thing thought tion took truth turn volume whole wife wish writer young
Strana 237 - Now the bright morning star, day's harbinger, Comes dancing from the east, and leads with her The flowery May, who from her green lap throws The yellow cowslip, and the pale primrose. Hail bounteous May that dost inspire Mirth and youth, and warm desire; Woods and groves are of thy dressing, Hill and dale doth boast thy blessing. Thus we salute thee with our early song, And welcome thee, and wish thee long.
Strana 213 - And let those, that play your clowns, speak no more than is set down for them : for there be of them, that will themselves laugh, to set on some quantity of barren spectators to laugh too ; though, in the mean time, some necessary question}: of the play be then to be considered : that's villainous ; and shows a most pitiful ambition in the fool that uses it.
Strana 259 - As nothing is essential to the fable but unity of action, and as the unities of time and place arise evidently from false assumptions, and, by circumscribing the extent of the drama, lessen its variety, I cannot think it much to be lamented that they were not known by him, or not observed...
Strana 64 - s drunken, fiery face no less) Drinks up the sea, and when he's done, The moon and stars drink up the sun. They drink and dance by their own light, They drink and revel all the night. Nothing in Nature's sober found, But an eternal health goes round.
Strana 215 - By and by we hear news of shipwreck in the same place, and then we are to blame if we accept it not for a rock. Upon the back of that comes out a hideous monster with fire and smoke, and then the miserable beholders are bound to take it for a cave.
Strana 258 - By supposition, as place is introduced, time may be extended; the time required by the fable elapses for the most part between the acts; for, of so much of the action as is represented, the real and poetical duration is the same.
Strana 236 - May never was the month of love For May is full of flowers, But rather April, wet by kind, For love is full of showers.
Strana 258 - Corneille, they have very generally received, by discovering that they have given more trouble to the poet than pleasure to the auditor. The necessity of observing the unities of time and place arises from the supposed necessity of making the drama credible.
Strana 187 - Lives and Exploits of Banditti and Robbers in all Parts of the World. By MACFARLANE.
Strana 259 - The delight of tragedy proceeds from our consciousness of fiction; if we thought murders and treasons real they would please no more. 11 Imitations produce pain or pleasure not because they are mistaken for realities, but because they bring realities to mind.