Social & Cultural Dynamics: A Study of Change in Major Systems of Art, Truth, Ethics, Law and Social RelationshipsP. Sargent, 1957 - 718 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 63.
Strana 71
... stage and its mode of expression . Hegel develops these principles further , showing that the most adequate objectization of the symbolic stage and type is architecture ; of the classical type and stage , sculpture ; of the romantic ...
... stage and its mode of expression . Hegel develops these principles further , showing that the most adequate objectization of the symbolic stage and type is architecture ; of the classical type and stage , sculpture ; of the romantic ...
Strana 76
... stages . The first stage is characterized by a non- aesthetic estimation of beauty and the fine arts . In this stage all the great art creations are produced , not for art's or beauty's sake but for the sake of religion , morals ...
... stages . The first stage is characterized by a non- aesthetic estimation of beauty and the fine arts . In this stage all the great art creations are produced , not for art's or beauty's sake but for the sake of religion , morals ...
Strana 172
... stage , the " classic miracle " of the Idealistic music , was hardly known to Rome , as it was unknown in painting , sculpture , and architecture , except by imitation . It skipped this greatest stage and from the predom- inance of the ...
... stage , the " classic miracle " of the Idealistic music , was hardly known to Rome , as it was unknown in painting , sculpture , and architecture , except by imitation . It skipped this greatest stage and from the predom- inance of the ...
Obsah
Forms and Problems of Culture Integration and Methods | 2 |
FLUCTUATION OF IDEATIONAL IDEALISTIC | 67 |
Is the Curve of Art Development Uniformly Similar in Various | 73 |
Autorské práva | |
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Časté výrazy a frázy
architecture Aristotle baroque becomes beginning causality cent Christian conception contractual cubistic culture mentality currents decline disturbances dominant economic empirical empiricism Epicureans ethics existence external externalistic familistic fideism field fifth century fluctuations given Graeco-Roman Greece Greek Hellenistic human Idealism Idealistic Idealistic art idealistic rationalism Ideational and Sensate Ideational culture Ideationalism immanent impressionism indicators individual integrated linear literature logical mainly means Middle Ages Mixed mysticism nature nineteenth century Number of representatives organization painting and sculpture period phenomena philosophy Plato principle purely quantitative realism reality religious representatives Their weight rise rococo Roman scientific secular Sensate culture Sensate mentality Sensate music sensual seventeenth similar singularism singularistic sixteenth century skepticism social relationships society sociocultural system standpoint style system of truth Taoist theories thinkers tion total Number totalitarian traits trend truth of faith truth of senses twelfth twentieth century type of culture values Visual weight Percentage