An Essay on the Writings and Genius of Shakspeare: Compared with the Greek and French Dramatic Poets; with Some Remarks Upon the Misrepresentations of Mons. de VoltaireAMS Press, 1966 - 296 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 36.
Strana 11
... passions and affections , as if what was ex- hibited were real . We have observed narra- tive imitation to be too faint and feeble a means to excite passion : declamation , still worse , plays idly on the surface of the subject , and ...
... passions and affections , as if what was ex- hibited were real . We have observed narra- tive imitation to be too faint and feeble a means to excite passion : declamation , still worse , plays idly on the surface of the subject , and ...
Strana 16
... passions , with little re- gard to exterior appearance . This perhaps made him more acquainted with the emo- tions ... passion , which in all ranks of men is much alike . This kind of exterior representation falls in- tirely short of the ...
... passions , with little re- gard to exterior appearance . This perhaps made him more acquainted with the emo- tions ... passion , which in all ranks of men is much alike . This kind of exterior representation falls in- tirely short of the ...
Strana 60
... passions , and are engaged in the common affairs of human life . We are interested in what they do , or say , by feeling , every mo- ment , that they are of the same nature as ourselves . Their precepts therefore are an instruction ...
... passions , and are engaged in the common affairs of human life . We are interested in what they do , or say , by feeling , every mo- ment , that they are of the same nature as ourselves . Their precepts therefore are an instruction ...
Obsah
On Dramatic Poetry P | 3 |
On the Historical Drama P | 33 |
The First Part of Henry IV P | 69 |
Autorské práva | |
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absurd action admired Æschylus affected allegory ambition ancient ANTONY appears Aristotle Atossa Augustus battle of Shrewsbury blank-verse blood Brutus Cassius character CHARON Cinna conspiracy conspirators Corneille critic crown dæmons danger danger death dialogue drama ELPINICE Emilia Euripides Eurystheus excite fable Falstaffe fear French friends genius ghost give glory grace Grecian Greek hath heart heav'n Henry Hercules heroes honour human imagination imitation judgment Julius Cæsar kind king lady learned lover Macbeth manners means ment mind moral murder muse nature Nervii never noble passions perfect person piece play PLUTARCH poet poetry Prince racters rendered representation ridicule Roman Rome says scene secret sentiments Shak Shakspeare Shakspeare's shew sion soliloquy Sophocles soul speak spectator speech spirit stage sublime superstition Tacitus taste tell temper terror thee Theseus thing thou tion tragedy tragedy of Macbeth translation virtue Voltaire vulgar witches words writers