THE SONG OF DEATH May bliss domestic smooth his private path; The Song of Death.1 Tune-"Oran an aoig." Scene.-A Field of Battle-Time of the day, evening-The wounded and dying of the victorious army are supposed to join in the following song. FAREWELL, thou fair day, thou green earth and ye skies, Farewell, loves and friendships, ye dear tender ties, Thou grim King of Terrors; thou Life's gloomy foe! Go, teach them to tremble, fell tyrant! but know Thou strik'st the dull peasant-he sinks in the dark, Thou strik'st the young hero-a glorious mark; In the field of proud honour-our swords in our hands, Poem on Sensibility. SENSIBILITY, how charming, Dearest Nancy, thou canst tell; 1 Enthusiasm for King and Country do not match well with Burns's affection for the French Revolution. The piece, though it has been admired, is extremely conventional. 2 These Tears of Sensibility flowed for Mrs M'Lehose. The verses were afterwards sent to Mrs Dunlop and Mrs Stewart, with the second line altered to "Thou, my friend, canst truly tell." THE TOADEATER Fairest flower, behold the lily Hear the woodlark charm the forest, To each pirate of the skies. Dearly bought the hidden treasure The Toadeater.1 OF Lordly acquaintance you boast, And the Dukes that you dined wi' yestreen: Tho' it crawl on the curl of a Queen! Divine Service in the Kirk of Lamington.2 As cauld a wind as ever blew, 1 On a level with Burns's usual essays in epigram. The text is Lockhart's version. Hogg and Motherwell give : "What of lords with whom you have supped, And of Dukes that you dined with yestreen; A louse, sir, is still but a louse, Tho' it crawl on the locks of a Queen." Cunningham's is a compound of the two, and Chambers gives: "No more of your titled acquaintances boast, And what nobles and gentles you've seen; An insect is only an insect at most, 2 Lockhart, a Lanarkshire man himself, published these rhymes in his Life of Burns (1828). Text also from Lockhart. Scott Douglas gives in the third line : "A caulder preacher never spak." The variations in different editions are numerous, but that of Hogg and Motherwell gives the most unusual form : "A cauld, cauld kirk, and in't but few, A caulder minister never spak ; His sermon made us a' turn blue, But it's be warm ere I come back.' O MAY, THY MORN The Keekin-glass.1 How daur ye ca' me "Howlet-face"? A Grace before Dinner, extempore.2 O THOU who kindly dost provide We bless Thee, God of Nature wide, But, whether granted or denied, Lord, bless us with content. Amen! A Grace after Dinner, extempore.3 O THOU, in whom we live and move- And, if it please Thee, Power above! Still grant us, with such store, The friend we trust, the fair we love- Amen! O May, Thy Morn.* As the mirk night o' December! 1 Written for Miss Miller of Dal- 3 The mention of "the fair," in a Grace, is, at least, characteristic. Suggested by parting with Mrs Maclehose, who was leaving Scotland to join her husband in the West Indies. AE FOND KISS And dear was she I dare na name, And here's to them that, like oursel, Ae fond Kiss, and then We sever.1 Tune-"Rory Dall's Port." AE fond kiss, and then we sever; Deep in heart-wrung tears I'll pledge thee, I'll ne'er blame my partial fancy, 1 Written in reference to the same occasion as the foregoing piece, in December 1791. The famous lines "Had we never loved sae kindly" have been attributed to Byron by an eminent English critic, no admirer of Burns. BEHOLD THE HOUR Fare-thee-weel, thou first and fairest! Deep in heart-wrung tears I'll pledge thee, Warring sighs and groans I'll wage thee. Behold the hour, the boat, arrive.1 BEHOLD the hour, the boat, arrive! My dearest Nancy, O fareweel! Severed frae thee, can I survive, Frae thee whom I hae lov'd sae weel? Endless and deep shall be my grief; Alang the solitary shore Where flitting sea-fowl round me cry, I'll westward turn my wishful eye. 'Happy thou Indian grove,' I'll say, 1 Again a farewell to Mrs Maclehose. The contrast of feeling in Burns's English and Scottish verses on the same theme is instructive. Mr Scott Douglas points out that the lines are a mere pastiche on a piece of verne in an old Edinburgh Magazine. |