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FROM ESOPUS TO MARIA

Where truant 'prentices, yet young in sin,
Blush at the curious stranger peeping in;
Where strumpets, relics of the drunken roar,
Resolve to drink, nay half-to whore no more;
Where tiny thieves not destin'd yet to swing,
Beat hemp for others, riper for the string:
From these dire scenes my wretched lines I date,
To tell Maria her Esopus' fate.

"Alas! I feel I am no actor here!"
'Tis real hangmen real scourges bear!
Prepare Maria, for a horrid tale

Will turn thy very rouge to deadly pale;
Will make thy hair, tho' erst from gipsy poll'd,
By barber woven, and by barber sold,

Though twisted smooth with Harry's nicest care,
Like hoary bristles to erect and stare.
The hero of the mimic scene, no more
I start in Hamlet, in Othello roar;

Or, haughty Chieftain, 'mid the din of arms
In Highland Bonnet, woo Malvina's charms;
While sans-culottes stoop up the mountain high,
And steal from me Maria's prying eye.
Blest Highland bonnet! once my proudest dress,
Now prouder still, Maria's temples press;
I see her wave thy towering plumes afar,
And call each coxcomb to the wordy war:
I see her face the first of Ireland's sons,
And even out-Irish his Hibernian bronze;
The crafty Colonel leaves the tartan'd lines,
For other wars, where he a hero shines:
The hopeful youth, in Scottish senate bred,
Who owns a Bushby's heart without the head,
Comes 'mid a string of coxcombs, to display
That veni, vidi, vici, is his way:

The shrinking Bard adown the alley skulks,

And dreads a meeting worse than Woolwich hulks: Though there, his heresies in Church and State Might well award him Muir and Palmer's fate:

FROM ESOPUS TO MARIA

Still she undaunted reels and rattles on,
And dares the public like a noontide sun.
What scandal called Maria's jaunty stagger
The ricket reeling of a crooked swagger?

Whose spleen (e'en worse than Burns's venom, when
He dips in gall unmix'd his eager pen,

And pours his vengeance in the burning line,)—
Who christen'd thus Maria's lyre-divine
The idiot strum of Vanity bemus'd,

And even the abuse of Poesy abus'd?-
Who called her verse a Parish Workhouse, made
For motley foundling Fancies, stolen or strayed?

A Workhouse! ah, that sound awakes my woes,
And pillows on the thorn my rack'd repose!
In durance vile here must I wake and weep,
And all my frowsy couch in sorrow steep;
That straw where many a rogue has lain of yore,
And vermin'd gipsies litter'd heretofore.

Why, Lonsdale, thus thy wrath on vagrants pour?
Must earth no rascal save thyself endure?
Must thou alone in guilt immortal swell,

And make a vast monopoly of hell?

Thou know'st the Virtues cannot hate thee worse;
The Vices also, must they club their curse?
Or must no tiny sin to others fall,

Because thy guilt's supreme enough for all?

Maria, send me too thy griefs and cares;
In all of thee sure thy Esopus shares.
As thou at all mankind the flag unfurls,
Who on my fair one Satire's vengeance hurls-
Who calls thee, pert, affected, vain coquette,
A wit in folly, and a fool in wit!
Who says that fool alone is not thy due,
And quotes thy treacheries to prove it true!

Our force united on thy foes we'll turn,
And dare the war with all of woman born:

ON JOHN BUSHBY, ESQ.

For who can write and speak as thou and I?
My periods that deciphering defy,

And thy still matchless tongue that conquers all reply!

Epitaph on a Noted Coxcomb,1

Capt. Wm. Roddick, of Corbiston.

LIGHT lay the earth on Billy's breast,
His chicken heart so tender;

But build a castle on his head,
His scull will prop it under.

On Capt. Lascelles.2

WHEN Lascelles thought fit from this world to depart,
Some friends warmly thought of embalming his heart;
A bystander whispers" Pray don't make so much o't,
The subject is poison, no reptile will touch it."

On Wm. Graham, Esq. of Mossknowe.

"STOP thief!" dame Nature call'd to Death,
As Willy drew his latest breath;
How shall I make a fool again?

My choicest model thou hast ta'en.

On John Bushby, Esq., Tinwald Downs.

Here lies John Bushby--honest man,
Cheat him, Devil-if you can!

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THE LASS OF INVERNESS

Sonnet on the death of Robert Riddell,

Of Glenriddell and Friars' Carse.1

No more, ye warblers of the wood! no more;
Nor pour your descant grating on my soul;
Thou young-eyed Spring! gay in thy verdant stole,
More welcome were to me grim Winter's wildest roar.

How can ye charm, ye flowers, with all your dyes?
Ye blow upon the sod that wraps my friend!

How can I to the tuneful strain attend?

That strain flows round the untimely tomb where Riddell lies.

Yes, pour, ye warblers! pour the notes of woe,
And soothe the Virtues weeping o'er his bier :
The man of worth-and hath not left his peer!
Is in his "narrow house," for ever darkly low.

Thee, Spring! again with joy shall others greet;
Me, memory of my loss will only meet.

The lovely lass o' Inverness.2

THE lovely lass o' Inverness,

Nae joy nor pleasure can she see;
For, e'en to morn she cries "alas!"
And aye the saut tear blin's her e'e.

"Drumossie moor, Drumossie day—
A waefu' day it was to me!
For there I lost my father dear,
My father dear, and brethren three.

1 This sonnet is remarkable for its defiance of rule.

A song in the manner of the old

popular ballads.

Drumossie is the usual Highland name for Culloden Moor.

CHARLIE, HE'S MY DARLING

"Their winding-sheet the bluidy clay,
Their graves are growin green to see;
And by them lies the dearest lad
That ever blest a woman's e'e!

"Now wae to thee, thou cruel lord,
A bluidy man I trow thou be;
For mony a heart thou has made sair,

That ne'er did wrang to thine or thee!"

Charlie, he's my Darling.1

"TWAS on a Monday morning,
Right early in the year,
That Charlie came to our town,
The young Chevalier.

Chorus-An' Charlie, he's my darling,

My darling, my darling,
Charlie, he's my darling,
The young Chevalier.

As he was walking up the street,
The city for to view,

O there he spied a bonie lass
The window looking through,
An' Charlie, &c.

Sae light's he jumped up the stair,
And tirl'da at the pin ;
And wha sae ready as hersel'
To let the laddie in.
An' Charlie, &c.

a rattled.

1 This need not be Burns's, or not entirely his. Scott was heard by Sir William Gell to murmur the last verse by the shore of Lake Avernus, which,

according to a letter of Lockhart to Mr Christie, "resembles a third rate Highland loch."

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