Characters of Shakespeare's PlaysGood Press, 21. 11. 2019 - 293 strán (strany) In 'Characters of Shakespeare's Plays' by William Hazlitt, readers are taken on a profound exploration of the characters that inhabit the world of Shakespeare. Hazlitt delves deep into the psychological complexities of Shakespeare's creations, providing intricate analyses of each character's motives, emotions, and unique traits. Through Hazlitt's eloquent prose and astute observations, readers gain a deeper understanding of the literary brilliance and human depth of Shakespeare's characters, making this book an invaluable resource for scholars and Shakespeare enthusiasts alike. Hazlitt's keen insights offer a fresh perspective on these iconic figures, shedding new light on their timeless relevance in the literary world. William Hazlitt, a renowned literary critic and essayist, brings his vast knowledge and passion for literature to 'Characters of Shakespeare's Plays'. His dedication to dissecting Shakespeare's characters reveals Hazlitt's profound understanding of human nature and the art of storytelling. It is this expertise that makes Hazlitt's analysis a must-read for anyone seeking to deepen their appreciation for Shakespearean works. I highly recommend 'Characters of Shakespeare's Plays' to readers who wish to enhance their understanding and appreciation of Shakespeare's timeless characters. Hazlitt's insightful commentary and engaging writing style make this book a captivating and enlightening read for both scholars and enthusiasts of Shakespearean literature. |
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Strana
... admiration of Napoleon, the hammer of old bad monarchies, down to the end and beyond it: that Napier, for example, historian of the war in the Peninsula and as gallant a soldier as ever fought under Wellington, when—late in life, as he ...
... admiration of Napoleon, the hammer of old bad monarchies, down to the end and beyond it: that Napier, for example, historian of the war in the Peninsula and as gallant a soldier as ever fought under Wellington, when—late in life, as he ...
Strana
... admiration of Napoleon, the hammer of old bad monarchies, down to the end and beyond it: that Napier, for example, historian of the war in the Peninsula and as gallant a soldier as ever fought under Wellington, when—late in life, as he ...
... admiration of Napoleon, the hammer of old bad monarchies, down to the end and beyond it: that Napier, for example, historian of the war in the Peninsula and as gallant a soldier as ever fought under Wellington, when—late in life, as he ...
Strana
... admiration is , on the whole , more discriminating and judicious , there are not many points on which , especially after reading his eloquent exposition of them , we should be much inclined to disagree with him . The book , as we have ...
... admiration is , on the whole , more discriminating and judicious , there are not many points on which , especially after reading his eloquent exposition of them , we should be much inclined to disagree with him . The book , as we have ...
Strana
... admirable Lectures on the Drama, which give by far the best account of the plays of Shakespeare that has hitherto ... admiration of his genius, or the same philosophical acuteness in pointing out his characteristic excellences. As we ...
... admirable Lectures on the Drama, which give by far the best account of the plays of Shakespeare that has hitherto ... admiration of his genius, or the same philosophical acuteness in pointing out his characteristic excellences. As we ...
Strana
... admiration for his characters, he is equally deserving of it for his exhibition of passion, taking this word in its widest signification, as including every mental condition, every tone from indifference or familiar mirth to the wildest ...
... admiration for his characters, he is equally deserving of it for his exhibition of passion, taking this word in its widest signification, as including every mental condition, every tone from indifference or familiar mirth to the wildest ...
Obsah
CYMBELINE | |
JULIUS CASESAR | |
OTHELLO | |
TIMON OF ATHENS | |
TROILUS AND CRESSIDA | |
ANTONY AND CLEOPATRA | |
LEAR | |
RICHARD II | |
HENRY IV | |
HENRY VI | |
RICHARD III | |
HENRY VIII | |
TWELFTH NIGHT OR WHAT YOU WILL | |
THE TWO GENTLEMEN OF VERONA | |
HAMLET | |
THE TEMPEST | |
THE MIDSUMMER NIGHTS DREAM | |
ROMEO AND JULIET | |
THE WINTERS TALE | |
ALLS WELL THAT ENDS WELL | |
MUCH ADO ABOUT NOTHING | |
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admirable affections answer Antony Apemantus banished beauty blood Bolingbroke breath Brutus Caesar Caliban Cassius character circumstances Claudio comedy comic Cordelia Coriolanus critic Cymbeline daughter death Desdemona Dost thou doth DOUBTFUL PLAYS dramatic eyes Falstaff father fear feeling fool friends genius give Gonerill grace Hamlet hath Hazlitt hear heart heaven Henry honour Hubert human humour Iago imagination Juliet king lady Lear live look lord Macbeth Malvolio manner MIDSUMMER NIGHT'S DREAM MIDSUMMER'S NIGHT DREAM mind moral nature never night noble Othello passages passion Perdita person pity play pleasure poet poetry prince refined Regan revenge Richard Richard III Romeo ROMEO AND JULIET scene seems sense Shakespeare Sir Toby sleep soul speak speech spirit striking sweet Table of Contents tender thee things thou art thought TITUS ANDRONICUS tongue tragedy truth Victor Hirtzler wife William Hazlitt words youth