Characters of Shakespeare's PlaysGood Press, 21. 11. 2019 - 293 strán (strany) "Characters of Shakespeare's Plays" by William Hazlitt is a book of criticism of Shakespeare's plays. It paved the way for the increased appreciation of Shakespeare's genius that was characteristic of later nineteenth-century criticism. It was also the first book to cover all of Shakespeare's plays, intended as a guide for the general reader. The center of attention is in large part on the characters, described often with a personal slant and using memorable expressions, and incorporating psychological insights that were to become highly influential in later criticism. |
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Strana
... feels all the while that his sympathy with Shakespeare is being stimulated and his understanding promoted: but it scarcely yields either the light or the music which Hazlitt communicates in his later and more famous essays. For the ...
... feels all the while that his sympathy with Shakespeare is being stimulated and his understanding promoted: but it scarcely yields either the light or the music which Hazlitt communicates in his later and more famous essays. For the ...
Strana
... feels so - and thinks that all who profess to love poetry should feel so likewise ...... .. He seems pretty ... FEELINGS . ' To surrender to great art was , for him , and defnitely , a part of the critic's function- ' A genuine criticism ...
... feels so - and thinks that all who profess to love poetry should feel so likewise ...... .. He seems pretty ... FEELINGS . ' To surrender to great art was , for him , and defnitely , a part of the critic's function- ' A genuine criticism ...
Strana
... feels, that each character is a species, instead of being an individual. He in fact found the general species or DIDACTIC form in Shakespeare's characters, which was all he sought or cared for; he did not find the individual traits, or ...
... feels, that each character is a species, instead of being an individual. He in fact found the general species or DIDACTIC form in Shakespeare's characters, which was all he sought or cared for; he did not find the individual traits, or ...
Strana
... feelings while enlarging their scope and at the same time enlarging his resources of comparison and illustration . Hazlitt , who had something like a genius for felicitous , apposite quotation , and steadily bettered it as he grew older ...
... feelings while enlarging their scope and at the same time enlarging his resources of comparison and illustration . Hazlitt , who had something like a genius for felicitous , apposite quotation , and steadily bettered it as he grew older ...
Strana
... feeling steals into our souls; of all the imperceptible advantages which it there gains; of all the stratagems by which every other passion is made subservient to it, till it becomes the sole tyrant of our desires and our aversions." Of ...
... feeling steals into our souls; of all the imperceptible advantages which it there gains; of all the stratagems by which every other passion is made subservient to it, till it becomes the sole tyrant of our desires and our aversions." Of ...
Obsah
CYMBELINE | |
JULIUS CASESAR | |
OTHELLO | |
TIMON OF ATHENS | |
TROILUS AND CRESSIDA | |
ANTONY AND CLEOPATRA | |
LEAR | |
RICHARD II | |
HENRY IV | |
HENRY VI | |
RICHARD III | |
HENRY VIII | |
TWELFTH NIGHT OR WHAT YOU WILL | |
THE TWO GENTLEMEN OF VERONA | |
HAMLET | |
THE TEMPEST | |
THE MIDSUMMER NIGHTS DREAM | |
ROMEO AND JULIET | |
THE WINTERS TALE | |
ALLS WELL THAT ENDS WELL | |
MUCH ADO ABOUT NOTHING | |
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admirable affections answer Antony Apemantus banished beauty blood Bolingbroke breath Brutus Caesar Caliban Cassius character circumstances Claudio comedy comic Cordelia Coriolanus critic Cymbeline daughter death Desdemona Dost thou doth DOUBTFUL PLAYS dramatic eyes Falstaff father fear feeling fool friends genius give Gonerill grace Hamlet hath Hazlitt hear heart heaven Henry honour Hubert human humour Iago imagination Juliet king lady Lear live look lord Macbeth Malvolio manner MIDSUMMER NIGHT'S DREAM MIDSUMMER'S NIGHT DREAM mind moral nature never night noble Othello passages passion Perdita person pity play pleasure poet poetry prince refined Regan revenge Richard Richard III Romeo ROMEO AND JULIET scene seems sense Shakespeare Sir Toby sleep soul speak speech spirit striking sweet Table of Contents tender thee things thou art thought TITUS ANDRONICUS tongue tragedy truth Victor Hirtzler wife William Hazlitt words youth