Characters of Shakespeare's PlaysGood Press, 21. 11. 2019 - 293 strán (strany) In 'Characters of Shakespeare's Plays' by William Hazlitt, readers are taken on a profound exploration of the characters that inhabit the world of Shakespeare. Hazlitt delves deep into the psychological complexities of Shakespeare's creations, providing intricate analyses of each character's motives, emotions, and unique traits. Through Hazlitt's eloquent prose and astute observations, readers gain a deeper understanding of the literary brilliance and human depth of Shakespeare's characters, making this book an invaluable resource for scholars and Shakespeare enthusiasts alike. Hazlitt's keen insights offer a fresh perspective on these iconic figures, shedding new light on their timeless relevance in the literary world. William Hazlitt, a renowned literary critic and essayist, brings his vast knowledge and passion for literature to 'Characters of Shakespeare's Plays'. His dedication to dissecting Shakespeare's characters reveals Hazlitt's profound understanding of human nature and the art of storytelling. It is this expertise that makes Hazlitt's analysis a must-read for anyone seeking to deepen their appreciation for Shakespearean works. I highly recommend 'Characters of Shakespeare's Plays' to readers who wish to enhance their understanding and appreciation of Shakespeare's timeless characters. Hazlitt's insightful commentary and engaging writing style make this book a captivating and enlightening read for both scholars and enthusiasts of Shakespearean literature. |
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Strana
... genius, where he might cut down imagination to matter-of-fact, regulate the passions according to reason, and translate the whole into logical diagrams and rhetorical declamation'. Thus he says of Shakespeare's characters, in ...
... genius, where he might cut down imagination to matter-of-fact, regulate the passions according to reason, and translate the whole into logical diagrams and rhetorical declamation'. Thus he says of Shakespeare's characters, in ...
Strana
... genius for felicitous , apposite quotation , and steadily bettered it as he grew older , would certainly have said ' Yes ' to this . At all events learning impresses ; it carries weight : and therefore it has always seemed to me that he ...
... genius for felicitous , apposite quotation , and steadily bettered it as he grew older , would certainly have said ' Yes ' to this . At all events learning impresses ; it carries weight : and therefore it has always seemed to me that he ...
Strana
... genius in comparison with this, that, or the other man's of the sixteenth century, than Milton's in comparison with any one's of the seventeenth. Some few men are absolute and can only be judged absolutely. (3) For the third merit—if ...
... genius in comparison with this, that, or the other man's of the sixteenth century, than Milton's in comparison with any one's of the seventeenth. Some few men are absolute and can only be judged absolutely. (3) For the third merit—if ...
Strana
... genius, or the same philosophical acuteness in pointing out his characteristic excellences. As we have pretty well exhausted all we had to say upon this subject in the body of the work, we shall here transcribe Schlegel's general ...
... genius, or the same philosophical acuteness in pointing out his characteristic excellences. As we have pretty well exhausted all we had to say upon this subject in the body of the work, we shall here transcribe Schlegel's general ...
Strana
... genius the utmost elevation and the utmost depth; and the most foreign, and even apparently irreconcilable properties subsist in him peaceably together. The world of spirits and nature have laid all their treasures at his feet. In ...
... genius the utmost elevation and the utmost depth; and the most foreign, and even apparently irreconcilable properties subsist in him peaceably together. The world of spirits and nature have laid all their treasures at his feet. In ...
Obsah
CYMBELINE | |
JULIUS CASESAR | |
OTHELLO | |
TIMON OF ATHENS | |
TROILUS AND CRESSIDA | |
ANTONY AND CLEOPATRA | |
LEAR | |
RICHARD II | |
HENRY IV | |
HENRY VI | |
RICHARD III | |
HENRY VIII | |
TWELFTH NIGHT OR WHAT YOU WILL | |
THE TWO GENTLEMEN OF VERONA | |
HAMLET | |
THE TEMPEST | |
THE MIDSUMMER NIGHTS DREAM | |
ROMEO AND JULIET | |
THE WINTERS TALE | |
ALLS WELL THAT ENDS WELL | |
MUCH ADO ABOUT NOTHING | |
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admirable affections answer Antony Apemantus banished beauty blood Bolingbroke breath Brutus Caesar Caliban Cassius character circumstances Claudio comedy comic Cordelia Coriolanus critic Cymbeline daughter death Desdemona Dost thou doth DOUBTFUL PLAYS dramatic eyes Falstaff father fear feeling fool friends genius give Gonerill grace Hamlet hath Hazlitt hear heart heaven Henry honour Hubert human humour Iago imagination Juliet king lady Lear live look lord Macbeth Malvolio manner MIDSUMMER NIGHT'S DREAM MIDSUMMER'S NIGHT DREAM mind moral nature never night noble Othello passages passion Perdita person pity play pleasure poet poetry prince refined Regan revenge Richard Richard III Romeo ROMEO AND JULIET scene seems sense Shakespeare Sir Toby sleep soul speak speech spirit striking sweet Table of Contents tender thee things thou art thought TITUS ANDRONICUS tongue tragedy truth Victor Hirtzler wife William Hazlitt words youth