Characters of Shakespeare's PlaysGood Press, 21. 11. 2019 - 293 strán (strany) In 'Characters of Shakespeare's Plays' by William Hazlitt, readers are taken on a profound exploration of the characters that inhabit the world of Shakespeare. Hazlitt delves deep into the psychological complexities of Shakespeare's creations, providing intricate analyses of each character's motives, emotions, and unique traits. Through Hazlitt's eloquent prose and astute observations, readers gain a deeper understanding of the literary brilliance and human depth of Shakespeare's characters, making this book an invaluable resource for scholars and Shakespeare enthusiasts alike. Hazlitt's keen insights offer a fresh perspective on these iconic figures, shedding new light on their timeless relevance in the literary world. William Hazlitt, a renowned literary critic and essayist, brings his vast knowledge and passion for literature to 'Characters of Shakespeare's Plays'. His dedication to dissecting Shakespeare's characters reveals Hazlitt's profound understanding of human nature and the art of storytelling. It is this expertise that makes Hazlitt's analysis a must-read for anyone seeking to deepen their appreciation for Shakespearean works. I highly recommend 'Characters of Shakespeare's Plays' to readers who wish to enhance their understanding and appreciation of Shakespeare's timeless characters. Hazlitt's insightful commentary and engaging writing style make this book a captivating and enlightening read for both scholars and enthusiasts of Shakespearean literature. |
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... heart, had set them in full cry, and they were not clement in their triumph. It is not easy, even on the evidence before us, to realize that a number of the finest spirits in this country, nursed in the hopes of the French Revolution ...
... heart, had set them in full cry, and they were not clement in their triumph. It is not easy, even on the evidence before us, to realize that a number of the finest spirits in this country, nursed in the hopes of the French Revolution ...
Strana
... heart against the ministry, aspiring rather to be a philosopher—in particular a political philosopher. At fourteen he had conceived ('in consequence of a dispute one day, after coming out of Meeting, between my father and an old lady of ...
... heart against the ministry, aspiring rather to be a philosopher—in particular a political philosopher. At fourteen he had conceived ('in consequence of a dispute one day, after coming out of Meeting, between my father and an old lady of ...
Strana
... when NOTHING WAS GIVEN FOR NOTHING. The mind opened, and a softness might be perceived coming over the heart of individuals beneath "the scales that fence" our self- interest.' As Wordsworth wrote: Bliss was it in that dawn to be alive ,
... when NOTHING WAS GIVEN FOR NOTHING. The mind opened, and a softness might be perceived coming over the heart of individuals beneath "the scales that fence" our self- interest.' As Wordsworth wrote: Bliss was it in that dawn to be alive ,
Strana
... heart , and as if that prayer might have floated in solemn silence through the universe .... The preacher then ... heart , shut up in the prison - house of this rude clay , has never found , nor will it ever find , a heart to speak to ...
... heart , and as if that prayer might have floated in solemn silence through the universe .... The preacher then ... heart , shut up in the prison - house of this rude clay , has never found , nor will it ever find , a heart to speak to ...
Strana
... heart, had set them in full cry, and they were not clement in their triumph. It is not easy, even on the evidence before us, to realize that a number of the finest spirits in this country, nursed in the hopes of the French Revolution ...
... heart, had set them in full cry, and they were not clement in their triumph. It is not easy, even on the evidence before us, to realize that a number of the finest spirits in this country, nursed in the hopes of the French Revolution ...
Obsah
CYMBELINE | |
JULIUS CASESAR | |
OTHELLO | |
TIMON OF ATHENS | |
TROILUS AND CRESSIDA | |
ANTONY AND CLEOPATRA | |
LEAR | |
RICHARD II | |
HENRY IV | |
HENRY VI | |
RICHARD III | |
HENRY VIII | |
TWELFTH NIGHT OR WHAT YOU WILL | |
THE TWO GENTLEMEN OF VERONA | |
HAMLET | |
THE TEMPEST | |
THE MIDSUMMER NIGHTS DREAM | |
ROMEO AND JULIET | |
THE WINTERS TALE | |
ALLS WELL THAT ENDS WELL | |
MUCH ADO ABOUT NOTHING | |
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admirable affections answer Antony Apemantus banished beauty blood Bolingbroke breath Brutus Caesar Caliban Cassius character circumstances Claudio comedy comic Cordelia Coriolanus critic Cymbeline daughter death Desdemona Dost thou doth DOUBTFUL PLAYS dramatic eyes Falstaff father fear feeling fool friends genius give Gonerill grace Hamlet hath Hazlitt hear heart heaven Henry honour Hubert human humour Iago imagination Juliet king lady Lear live look lord Macbeth Malvolio manner MIDSUMMER NIGHT'S DREAM MIDSUMMER'S NIGHT DREAM mind moral nature never night noble Othello passages passion Perdita person pity play pleasure poet poetry prince refined Regan revenge Richard Richard III Romeo ROMEO AND JULIET scene seems sense Shakespeare Sir Toby sleep soul speak speech spirit striking sweet Table of Contents tender thee things thou art thought TITUS ANDRONICUS tongue tragedy truth Victor Hirtzler wife William Hazlitt words youth