Characters of Shakespeare's PlaysGood Press, 21. 11. 2019 - 293 strán (strany) "Characters of Shakespeare's Plays" by William Hazlitt is a book of criticism of Shakespeare's plays. It paved the way for the increased appreciation of Shakespeare's genius that was characteristic of later nineteenth-century criticism. It was also the first book to cover all of Shakespeare's plays, intended as a guide for the general reader. The center of attention is in large part on the characters, described often with a personal slant and using memorable expressions, and incorporating psychological insights that were to become highly influential in later criticism. |
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... nature, because he felt no interest in them. Nothing is easier to prove than that in this world nobody ever invented anything. So it may be proved that, Johnson having written 'Great thoughts are always general', Blake had countered him ...
... nature, because he felt no interest in them. Nothing is easier to prove than that in this world nobody ever invented anything. So it may be proved that, Johnson having written 'Great thoughts are always general', Blake had countered him ...
Strana
... Characters that , ' although it professes to be dramatic criticism , it is in reality a discourse on the philosophy of life and human nature , more suggestive than many approved treatises expressly devoted to that subject'. Well, for.
... Characters that , ' although it professes to be dramatic criticism , it is in reality a discourse on the philosophy of life and human nature , more suggestive than many approved treatises expressly devoted to that subject'. Well, for.
Strana
... nature; it proceeded through AEgyptian strainers and channels, and came to him not without some tincture of the learning, or some cast of the models, of those before him. The poetry of Shakespeare was inspiration: indeed, he is not so ...
... nature; it proceeded through AEgyptian strainers and channels, and came to him not without some tincture of the learning, or some cast of the models, of those before him. The poetry of Shakespeare was inspiration: indeed, he is not so ...
Strana
William Hazlitt. instrument of nature; and it is not so just to say that he speaks from her, as that she speaks through him. His CHARACTERS are so much nature herself, that it is a sort of injury to call them by so distant a name as ...
William Hazlitt. instrument of nature; and it is not so just to say that he speaks from her, as that she speaks through him. His CHARACTERS are so much nature herself, that it is a sort of injury to call them by so distant a name as ...
Strana
... nature—on the other hand, he carries nature into the regions of fancy, lying beyond the confines of reality. We are lost in astonishment at seeing the extraordinary, the wonderful, and the unheard of, in such intimate nearness. 'If ...
... nature—on the other hand, he carries nature into the regions of fancy, lying beyond the confines of reality. We are lost in astonishment at seeing the extraordinary, the wonderful, and the unheard of, in such intimate nearness. 'If ...
Obsah
CYMBELINE | |
JULIUS CASESAR | |
OTHELLO | |
TIMON OF ATHENS | |
TROILUS AND CRESSIDA | |
ANTONY AND CLEOPATRA | |
LEAR | |
RICHARD II | |
HENRY IV | |
HENRY VI | |
RICHARD III | |
HENRY VIII | |
TWELFTH NIGHT OR WHAT YOU WILL | |
THE TWO GENTLEMEN OF VERONA | |
HAMLET | |
THE TEMPEST | |
THE MIDSUMMER NIGHTS DREAM | |
ROMEO AND JULIET | |
THE WINTERS TALE | |
ALLS WELL THAT ENDS WELL | |
MUCH ADO ABOUT NOTHING | |
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admirable affections answer Antony Apemantus banished beauty blood Bolingbroke breath Brutus Caesar Caliban Cassius character circumstances Claudio comedy comic Cordelia Coriolanus critic Cymbeline daughter death Desdemona Dost thou doth DOUBTFUL PLAYS dramatic eyes Falstaff father fear feeling fool friends genius give Gonerill grace Hamlet hath Hazlitt hear heart heaven Henry honour Hubert human humour Iago imagination Juliet king lady Lear live look lord Macbeth Malvolio manner MIDSUMMER NIGHT'S DREAM MIDSUMMER'S NIGHT DREAM mind moral nature never night noble Othello passages passion Perdita person pity play pleasure poet poetry prince refined Regan revenge Richard Richard III Romeo ROMEO AND JULIET scene seems sense Shakespeare Sir Toby sleep soul speak speech spirit striking sweet Table of Contents tender thee things thou art thought TITUS ANDRONICUS tongue tragedy truth Victor Hirtzler wife William Hazlitt words youth