Characters of Shakespeare's PlaysGood Press, 21. 11. 2019 - 293 strán (strany) In 'Characters of Shakespeare's Plays' by William Hazlitt, readers are taken on a profound exploration of the characters that inhabit the world of Shakespeare. Hazlitt delves deep into the psychological complexities of Shakespeare's creations, providing intricate analyses of each character's motives, emotions, and unique traits. Through Hazlitt's eloquent prose and astute observations, readers gain a deeper understanding of the literary brilliance and human depth of Shakespeare's characters, making this book an invaluable resource for scholars and Shakespeare enthusiasts alike. Hazlitt's keen insights offer a fresh perspective on these iconic figures, shedding new light on their timeless relevance in the literary world. William Hazlitt, a renowned literary critic and essayist, brings his vast knowledge and passion for literature to 'Characters of Shakespeare's Plays'. His dedication to dissecting Shakespeare's characters reveals Hazlitt's profound understanding of human nature and the art of storytelling. It is this expertise that makes Hazlitt's analysis a must-read for anyone seeking to deepen their appreciation for Shakespearean works. I highly recommend 'Characters of Shakespeare's Plays' to readers who wish to enhance their understanding and appreciation of Shakespeare's timeless characters. Hazlitt's insightful commentary and engaging writing style make this book a captivating and enlightening read for both scholars and enthusiasts of Shakespearean literature. |
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Strana
... Poets) that will fascinate so long as English prose is read. 'Somehow that period [the time just after the French Revolution] was not a time when NOTHING WAS GIVEN FOR NOTHING. The mind opened, and a softness might be perceived coming ...
... Poets) that will fascinate so long as English prose is read. 'Somehow that period [the time just after the French Revolution] was not a time when NOTHING WAS GIVEN FOR NOTHING. The mind opened, and a softness might be perceived coming ...
Strana
... poetry should feel so likewise ...... .. He seems pretty generally , indeed , in a state of happy intoxication — and has borrowed from his great original , not indeed the force or brilliancy of his fancy , but something of its ...
... poetry should feel so likewise ...... .. He seems pretty generally , indeed , in a state of happy intoxication — and has borrowed from his great original , not indeed the force or brilliancy of his fancy , but something of its ...
Strana
... poetry - is , as Jeffrey puts the antithesis , to FEEL rather than to KNOW ; while to be delicately sensitive and sympathetic counts more than to be well - informed ; nevertheless learning remains respectable . He who can assimilate it ...
... poetry - is , as Jeffrey puts the antithesis , to FEEL rather than to KNOW ; while to be delicately sensitive and sympathetic counts more than to be well - informed ; nevertheless learning remains respectable . He who can assimilate it ...
Strana
... without some tincture of the learning, or some cast of the models, of those before him. The poetry of Shakespeare was inspiration: indeed, he is not so much an imitator, as an instrument of nature; and it is not so just to PREFACE.
... without some tincture of the learning, or some cast of the models, of those before him. The poetry of Shakespeare was inspiration: indeed, he is not so much an imitator, as an instrument of nature; and it is not so just to PREFACE.
Strana
... poets have a constant resemblance, which shows that they received them from one another, and were but multipliers of ... poet), began a work of a similar kind about forty years ago, but he only lived to finish a parallel between the ...
... poets have a constant resemblance, which shows that they received them from one another, and were but multipliers of ... poet), began a work of a similar kind about forty years ago, but he only lived to finish a parallel between the ...
Obsah
CYMBELINE | |
JULIUS CASESAR | |
OTHELLO | |
TIMON OF ATHENS | |
TROILUS AND CRESSIDA | |
ANTONY AND CLEOPATRA | |
LEAR | |
RICHARD II | |
HENRY IV | |
HENRY VI | |
RICHARD III | |
HENRY VIII | |
TWELFTH NIGHT OR WHAT YOU WILL | |
THE TWO GENTLEMEN OF VERONA | |
HAMLET | |
THE TEMPEST | |
THE MIDSUMMER NIGHTS DREAM | |
ROMEO AND JULIET | |
THE WINTERS TALE | |
ALLS WELL THAT ENDS WELL | |
MUCH ADO ABOUT NOTHING | |
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admirable affections answer Antony Apemantus banished beauty blood Bolingbroke breath Brutus Caesar Caliban Cassius character circumstances Claudio comedy comic Cordelia Coriolanus critic Cymbeline daughter death Desdemona Dost thou doth DOUBTFUL PLAYS dramatic eyes Falstaff father fear feeling fool friends genius give Gonerill grace Hamlet hath Hazlitt hear heart heaven Henry honour Hubert human humour Iago imagination Juliet king lady Lear live look lord Macbeth Malvolio manner MIDSUMMER NIGHT'S DREAM MIDSUMMER'S NIGHT DREAM mind moral nature never night noble Othello passages passion Perdita person pity play pleasure poet poetry prince refined Regan revenge Richard Richard III Romeo ROMEO AND JULIET scene seems sense Shakespeare Sir Toby sleep soul speak speech spirit striking sweet Table of Contents tender thee things thou art thought TITUS ANDRONICUS tongue tragedy truth Victor Hirtzler wife William Hazlitt words youth