Milton's Kinesthetic Vision in Paradise Lost

Predný obal
Bucknell University Press, 1983 - 321 strán (strany)
The author demonstrates that the apparent contradictions in the poetic, dramatic, and conceptual framework of Paradise Lost are purposive, indeed central, to Milton's kinesthetic poetics.
 

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Obsah

The Poetics of Miltons Counterplot
25
Sympathic Kinesthesia
40
The LyricIronic Modal Structure
66
The Meditative Modes
92
Flight toward Reality A Modal Reading of Paradise Lost
109
The Lyric Mode
111
The Ironic Mode The Garden of Eden
124
The Ironic Mode The Fall in Heaven
135
The Creation of Adam and Eve
155
The Fall in Eden
167
The Meditative Modes The Art of Michael
222
The Meditative Modes The Art of Milton
243
In Miltons Kinesthetic Vision The Nature of the Universe
281
Selected Bibliography
295
Index
299
Index of Similes
320

The Ironic Mode The Art of Raphael
147

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Strana 32 - He scarce had ceased, when the superior fiend Was moving toward the shore ; his ponderous shield, Ethereal temper, massy, large, and round, Behind him cast ; the broad circumference Hung on his shoulders like the moon, whose orb Through optic glass the Tuscan artist views At evening from the top of Fesole Or in Valdarno, to descry new lands, Rivers, or mountains, in her spotty globe.
Strana 18 - Served only to discover sights of woe, Regions of sorrow, doleful shades, where peace And rest can never dwell ; hope never comes, That comes to all ; but torture without end Still urges, and a fiery deluge, fed With ever-burning sulphur unconsumed.

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