Masculinity and Emotion in Early Modern English LiteratureRoutledge, 5. 12. 2016 - 256 strán (strany) The first full length treatment of how men of different professions, social ranks and ages are empowered by their emotional expressiveness in early modern English literary works, this study examines the profound impact of the cultural shift in the English aristocracy from feudal warriors to emotionally expressive courtiers or gentlemen on all kinds of men in early modern English literature. Jennifer Vaught bases her analysis on the epic, lyric, and romance as well as on drama, pastoral writings and biography, by Shakespeare, Spenser, Sidney, Marlowe, Jonson and Garrick among other writers. Offering new readings of these works, she traces the gradual emergence of men of feeling during the sixteenth and seventeenth centuries, to the blossoming of this literary version of manhood during the eighteenth century. |
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Strana
... Richard II. Act 5. Scene 2, oil on canvas, late 1790s, Folger Shakespeare Library. 4.2 Henry Fuseli, Richard II. Act 5. Scene 5. “I wasted Time and now doth Time waste me, / For now hath Time made me his numbring clock,” engraving, 1803 ...
... Richard II. Act 5. Scene 2, oil on canvas, late 1790s, Folger Shakespeare Library. 4.2 Henry Fuseli, Richard II. Act 5. Scene 5. “I wasted Time and now doth Time waste me, / For now hath Time made me his numbring clock,” engraving, 1803 ...
Strana
... Richard II highlights the connection between masculinity and emotional expressiveness, though in a tragic rather than a comic context. King Richard weeps and wails over the loss of his kingdom when he returns from Ireland to discover ...
... Richard II highlights the connection between masculinity and emotional expressiveness, though in a tragic rather than a comic context. King Richard weeps and wails over the loss of his kingdom when he returns from Ireland to discover ...
Strana
... Richard II or tears of contrition for the destruction of a family reunited by the end of the play in The Winter's Tale is psychologically regenerative (III.ii.156). These textual examples from Spenser and Shakespeare foreground the ...
... Richard II or tears of contrition for the destruction of a family reunited by the end of the play in The Winter's Tale is psychologically regenerative (III.ii.156). These textual examples from Spenser and Shakespeare foreground the ...
Strana
... Richard II (1595) and The Winter's Tale (1612). Spenser's first and sixth books, which frame the 1596 version of his poem, contain a number of emotionally expressive male figures who occupy private, interior spaces. While Richard II ...
... Richard II (1595) and The Winter's Tale (1612). Spenser's first and sixth books, which frame the 1596 version of his poem, contain a number of emotionally expressive male figures who occupy private, interior spaces. While Richard II ...
Strana
... II (1593) and Shakespeare's Richard II (1595), history plays that highlight the legendary power of weeping and wailing for these public figures whose private desires ultimately cost them their kingdoms. In Part Three my examination of ...
... II (1593) and Shakespeare's Richard II (1595), history plays that highlight the legendary power of weeping and wailing for these public figures whose private desires ultimately cost them their kingdoms. In Part Three my examination of ...
Obsah
Spensers Dialogic Feminine Voice | |
Stoical Anger in Jonsons | |
Emotional Kings and their Stoical Usurpers | |
Woeful Rhetoric | |
Chivalric Knights Courtiers and Shepherds Prone | |
Lyrical Private Expressions | |
Demonstrative Family Men Masculinity | |
Lamentable Men in Shakespeares | |
Peddling MiddleClass Values by Shedding | |
Postscript | |
Index | |
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Aemilia Lanyer Aeneid affection alludes androgyny anxiety Arcadia argues aristocratic audience Augustinian Ben Jonson Bolingbroke Book Calepine Calidore Cambridge University Press contrast courtiers critics death Despair dialogic discussion Donne’s Early Modern England edited Edward II effeminacy effeminate eighteenthcentury Elizabeth emotional expressiveness emotionally expressive emphasis English Renaissance epic episode exclaims Faerie Queene female feminine Feminism figure Florizel and Perdita Folger Shakespeare Library Fradubio Garrick Gaveston gender grief Hermione Hermione’s imagines intertextual John Donne Jonson King King’s laments Lanyer Legend of Courtesy Leontes London lyric male Mamillius man’s manhood Marlowe masculinity and emotion medieval Metamorphoses Mortimer mourning Musidorus Ovid passion Paulina Perdita Philoclea poem poet political Polixenes Pyrocles Quintilian Redcrosse Redcrosse’s response rhetoric Richard II romance seventeenth century Shakespeare Shakespeare’s play Shakespeare’s Richard Shakespeare’s Winter’s Tale Sidney Sidney’s Spenser stoical Stoicism Tamburlaine tears texts Timber versions of masculinity violent voice Walton Wandering Wood warrior weep and wail Winter’s Tale women writers York