Masculinity and Emotion in Early Modern English LiteratureRoutledge, 5. 12. 2016 - 256 strán (strany) The first full length treatment of how men of different professions, social ranks and ages are empowered by their emotional expressiveness in early modern English literary works, this study examines the profound impact of the cultural shift in the English aristocracy from feudal warriors to emotionally expressive courtiers or gentlemen on all kinds of men in early modern English literature. Jennifer Vaught bases her analysis on the epic, lyric, and romance as well as on drama, pastoral writings and biography, by Shakespeare, Spenser, Sidney, Marlowe, Jonson and Garrick among other writers. Offering new readings of these works, she traces the gradual emergence of men of feeling during the sixteenth and seventeenth centuries, to the blossoming of this literary version of manhood during the eighteenth century. |
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Strana
... argues in “Of Domestical Duties,” men and women should be considered partners in marriage.19 The shifting balance of power in the English household contributed to the somewhat anxious relationship between men and women, who were not as ...
... argues in “Of Domestical Duties,” men and women should be considered partners in marriage.19 The shifting balance of power in the English household contributed to the somewhat anxious relationship between men and women, who were not as ...
Strana
... argues that “affections” that “follow the guidance of right reason” are neither “diseases” or “vicious passions” and those people not excited by any emotion are “monstrous” and lacking in “humanity.”39 In Erasmus' Praise of Folly the ...
... argues that “affections” that “follow the guidance of right reason” are neither “diseases” or “vicious passions” and those people not excited by any emotion are “monstrous” and lacking in “humanity.”39 In Erasmus' Praise of Folly the ...
Strana
... argues in “The Word in Dostoevsky,”: The word is not a thing, but rather the eternally mobile, eternally changing medium of dialogical intercourse. It never coincides with a single consciousness or a single voice ... In the process the ...
... argues in “The Word in Dostoevsky,”: The word is not a thing, but rather the eternally mobile, eternally changing medium of dialogical intercourse. It never coincides with a single consciousness or a single voice ... In the process the ...
Strana
... argues, in the words of Mervyn James, that contemplation is “a suitable avocation for the Caroline gentleman”: The English Gentleman (1630; reprint, Amsterdam: Theatrum Orbis Terrarum, 1975), p. 47 as cited by James in Society, Politics ...
... argues, in the words of Mervyn James, that contemplation is “a suitable avocation for the Caroline gentleman”: The English Gentleman (1630; reprint, Amsterdam: Theatrum Orbis Terrarum, 1975), p. 47 as cited by James in Society, Politics ...
Strana
... argues that imaginative writers from the Elizabethan period through the Restoration present extreme passion as an aristocratic sign of “true nobility.” In Death, Religion, and the Family in England, 14801750 (Oxford: Clarendon, 1998), p ...
... argues that imaginative writers from the Elizabethan period through the Restoration present extreme passion as an aristocratic sign of “true nobility.” In Death, Religion, and the Family in England, 14801750 (Oxford: Clarendon, 1998), p ...
Obsah
Spensers Dialogic Feminine Voice | |
Stoical Anger in Jonsons | |
Emotional Kings and their Stoical Usurpers | |
Woeful Rhetoric | |
Chivalric Knights Courtiers and Shepherds Prone | |
Lyrical Private Expressions | |
Demonstrative Family Men Masculinity | |
Lamentable Men in Shakespeares | |
Peddling MiddleClass Values by Shedding | |
Postscript | |
Index | |
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Časté výrazy a frázy
Aemilia Lanyer Aeneid affection alludes androgyny anxiety Arcadia argues aristocratic audience Augustinian Ben Jonson Bolingbroke Book Calepine Calidore Cambridge University Press contrast courtiers critics death Despair dialogic discussion Donne’s Early Modern England edited Edward II effeminacy effeminate eighteenthcentury Elizabeth emotional expressiveness emotionally expressive emphasis English Renaissance epic episode exclaims Faerie Queene female feminine Feminism figure Florizel and Perdita Folger Shakespeare Library Fradubio Garrick Gaveston gender grief Hermione Hermione’s imagines intertextual John Donne Jonson King King’s laments Lanyer Legend of Courtesy Leontes London lyric male Mamillius man’s manhood Marlowe masculinity and emotion medieval Metamorphoses Mortimer mourning Musidorus Ovid passion Paulina Perdita Philoclea poem poet political Polixenes Pyrocles Quintilian Redcrosse Redcrosse’s response rhetoric Richard II romance seventeenth century Shakespeare Shakespeare’s play Shakespeare’s Richard Shakespeare’s Winter’s Tale Sidney Sidney’s Spenser stoical Stoicism Tamburlaine tears texts Timber versions of masculinity violent voice Walton Wandering Wood warrior weep and wail Winter’s Tale women writers York