Masculinity and Emotion in Early Modern English LiteratureRoutledge, 5. 12. 2016 - 256 strán (strany) The first full length treatment of how men of different professions, social ranks and ages are empowered by their emotional expressiveness in early modern English literary works, this study examines the profound impact of the cultural shift in the English aristocracy from feudal warriors to emotionally expressive courtiers or gentlemen on all kinds of men in early modern English literature. Jennifer Vaught bases her analysis on the epic, lyric, and romance as well as on drama, pastoral writings and biography, by Shakespeare, Spenser, Sidney, Marlowe, Jonson and Garrick among other writers. Offering new readings of these works, she traces the gradual emergence of men of feeling during the sixteenth and seventeenth centuries, to the blossoming of this literary version of manhood during the eighteenth century. |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 5 z 84.
Strana
... figures situated in a variety of literary genres and representative of various professions and social classes express emotions, ranging from grief to joy. In Part One I discuss the intertextual poetics of scholarly men in Book I of ...
... figures situated in a variety of literary genres and representative of various professions and social classes express emotions, ranging from grief to joy. In Part One I discuss the intertextual poetics of scholarly men in Book I of ...
Strana
... figure in terms of sixteenth and seventeenthcentury poetry, plays, and prose related to masculinity and the emotions. In Schiesari's Gendering of Melancholy she highlights the literary and cultural privileging of this particular emotion ...
... figure in terms of sixteenth and seventeenthcentury poetry, plays, and prose related to masculinity and the emotions. In Schiesari's Gendering of Melancholy she highlights the literary and cultural privileging of this particular emotion ...
Strana
... figure of Mercy at the House of Holiness. Yet the poet's polyvocality allies him with the doubleness and multiplicity often associated with female figures like Error and Duessa in Book I. Paradoxically, he secures his enduring ...
... figure of Mercy at the House of Holiness. Yet the poet's polyvocality allies him with the doubleness and multiplicity often associated with female figures like Error and Duessa in Book I. Paradoxically, he secures his enduring ...
Strana
... figure whose flaws include his narcissism and selfabsorption. A man of sentiment, he defends himself valiantly through emotionally moving rhetoric, gestures, and tears once he loses the crown. He joins the company of a number of women ...
... figure whose flaws include his narcissism and selfabsorption. A man of sentiment, he defends himself valiantly through emotionally moving rhetoric, gestures, and tears once he loses the crown. He joins the company of a number of women ...
Strana
... figures such as Marinel, Timias, and Scudamour in Books III and IV. Befitting the largescale transformation in the English aristocracy from brutal warriors to refined courtiers or gentlemen during the sixteenth century, Spenser ...
... figures such as Marinel, Timias, and Scudamour in Books III and IV. Befitting the largescale transformation in the English aristocracy from brutal warriors to refined courtiers or gentlemen during the sixteenth century, Spenser ...
Obsah
Spensers Dialogic Feminine Voice | |
Stoical Anger in Jonsons | |
Emotional Kings and their Stoical Usurpers | |
Woeful Rhetoric | |
Chivalric Knights Courtiers and Shepherds Prone | |
Lyrical Private Expressions | |
Demonstrative Family Men Masculinity | |
Lamentable Men in Shakespeares | |
Peddling MiddleClass Values by Shedding | |
Postscript | |
Index | |
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Časté výrazy a frázy
Aemilia Lanyer Aeneid affection alludes androgyny anxiety Arcadia argues aristocratic audience Augustinian Ben Jonson Bolingbroke Book Calepine Calidore Cambridge University Press contrast courtiers critics death Despair dialogic discussion Donne’s Early Modern England edited Edward II effeminacy effeminate eighteenthcentury Elizabeth emotional expressiveness emotionally expressive emphasis English Renaissance epic episode exclaims Faerie Queene female feminine Feminism figure Florizel and Perdita Folger Shakespeare Library Fradubio Garrick Gaveston gender grief Hermione Hermione’s imagines intertextual John Donne Jonson King King’s laments Lanyer Legend of Courtesy Leontes London lyric male Mamillius man’s manhood Marlowe masculinity and emotion medieval Metamorphoses Mortimer mourning Musidorus Ovid passion Paulina Perdita Philoclea poem poet political Polixenes Pyrocles Quintilian Redcrosse Redcrosse’s response rhetoric Richard II romance seventeenth century Shakespeare Shakespeare’s play Shakespeare’s Richard Shakespeare’s Winter’s Tale Sidney Sidney’s Spenser stoical Stoicism Tamburlaine tears texts Timber versions of masculinity violent voice Walton Wandering Wood warrior weep and wail Winter’s Tale women writers York