Masculinity and Emotion in Early Modern English LiteratureRoutledge, 5. 12. 2016 - 256 strán (strany) The first full length treatment of how men of different professions, social ranks and ages are empowered by their emotional expressiveness in early modern English literary works, this study examines the profound impact of the cultural shift in the English aristocracy from feudal warriors to emotionally expressive courtiers or gentlemen on all kinds of men in early modern English literature. Jennifer Vaught bases her analysis on the epic, lyric, and romance as well as on drama, pastoral writings and biography, by Shakespeare, Spenser, Sidney, Marlowe, Jonson and Garrick among other writers. Offering new readings of these works, she traces the gradual emergence of men of feeling during the sixteenth and seventeenth centuries, to the blossoming of this literary version of manhood during the eighteenth century. |
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Strana
... Passionate Protestantism: Spenser's Dialogic, Feminine Voice in Book I of 2 A Pen as Mighty as the Sword: Stoical Anger in Jonson's PART TWO: Emotional Kings and their Stoical Usurpers in Marlowe's and Shakespeare's 3 “Monster of Men ...
... Passionate Protestantism: Spenser's Dialogic, Feminine Voice in Book I of 2 A Pen as Mighty as the Sword: Stoical Anger in Jonson's PART TWO: Emotional Kings and their Stoical Usurpers in Marlowe's and Shakespeare's 3 “Monster of Men ...
Strana
... passion for St. Augustine are immanent throughout this book. To my mother I am grateful for teaching me to balance work and play, to appreciate the humor of academia in its most absurd forms, and to question intuitively conventional ...
... passion for St. Augustine are immanent throughout this book. To my mother I am grateful for teaching me to balance work and play, to appreciate the humor of academia in its most absurd forms, and to question intuitively conventional ...
Strana
... obsessions about finishing it, and for helping to keep me happy in the process. He has taught me that experiencing as well as thinking about all kinds of passions are vital. For Will Introduction Men Who Weep and Wail: Masculinity and.
... obsessions about finishing it, and for helping to keep me happy in the process. He has taught me that experiencing as well as thinking about all kinds of passions are vital. For Will Introduction Men Who Weep and Wail: Masculinity and.
Strana
... passions and perturbations ... a woman enraged, is besides her selfe, and hath not power over her self, so that she cannot rule her passions, or bridle her disturbed affections, or stand against them with force of reason and judgment ...
... passions and perturbations ... a woman enraged, is besides her selfe, and hath not power over her self, so that she cannot rule her passions, or bridle her disturbed affections, or stand against them with force of reason and judgment ...
Strana
... passions” and “affections” were commonly used in the Renaissance before the term “emotion” took hold around 1660, the words ... passion before and after the French Revolution that inaugurated the celebrated Age of Reason.31 Linguistic ...
... passions” and “affections” were commonly used in the Renaissance before the term “emotion” took hold around 1660, the words ... passion before and after the French Revolution that inaugurated the celebrated Age of Reason.31 Linguistic ...
Obsah
Spensers Dialogic Feminine Voice | |
Stoical Anger in Jonsons | |
Emotional Kings and their Stoical Usurpers | |
Woeful Rhetoric | |
Chivalric Knights Courtiers and Shepherds Prone | |
Lyrical Private Expressions | |
Demonstrative Family Men Masculinity | |
Lamentable Men in Shakespeares | |
Peddling MiddleClass Values by Shedding | |
Postscript | |
Index | |
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Aemilia Lanyer Aeneid affection alludes androgyny anxiety Arcadia argues aristocratic audience Augustinian Ben Jonson Bolingbroke Book Calepine Calidore Cambridge University Press contrast courtiers critics death Despair dialogic discussion Donne’s Early Modern England edited Edward II effeminacy effeminate eighteenthcentury Elizabeth emotional expressiveness emotionally expressive emphasis English Renaissance epic episode exclaims Faerie Queene female feminine Feminism figure Florizel and Perdita Folger Shakespeare Library Fradubio Garrick Gaveston gender grief Hermione Hermione’s imagines intertextual John Donne Jonson King King’s laments Lanyer Legend of Courtesy Leontes London lyric male Mamillius man’s manhood Marlowe masculinity and emotion medieval Metamorphoses Mortimer mourning Musidorus Ovid passion Paulina Perdita Philoclea poem poet political Polixenes Pyrocles Quintilian Redcrosse Redcrosse’s response rhetoric Richard II romance seventeenth century Shakespeare Shakespeare’s play Shakespeare’s Richard Shakespeare’s Winter’s Tale Sidney Sidney’s Spenser stoical Stoicism Tamburlaine tears texts Timber versions of masculinity violent voice Walton Wandering Wood warrior weep and wail Winter’s Tale women writers York