Masculinity and Emotion in Early Modern English LiteratureRoutledge, 5. 12. 2016 - 256 strán (strany) The first full length treatment of how men of different professions, social ranks and ages are empowered by their emotional expressiveness in early modern English literary works, this study examines the profound impact of the cultural shift in the English aristocracy from feudal warriors to emotionally expressive courtiers or gentlemen on all kinds of men in early modern English literature. Jennifer Vaught bases her analysis on the epic, lyric, and romance as well as on drama, pastoral writings and biography, by Shakespeare, Spenser, Sidney, Marlowe, Jonson and Garrick among other writers. Offering new readings of these works, she traces the gradual emergence of men of feeling during the sixteenth and seventeenth centuries, to the blossoming of this literary version of manhood during the eighteenth century. |
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... political opponent, Bolingbroke. Realizing that he will be deposed and eventually murdered, Richard delivers his famous speech, “For God's sake let us sit upon the ground / And tell sad stories of the death of kings.” In response to ...
... political opponent, Bolingbroke. Realizing that he will be deposed and eventually murdered, Richard delivers his famous speech, “For God's sake let us sit upon the ground / And tell sad stories of the death of kings.” In response to ...
Strana
... politics in a number of Shakespeare's history plays, Richard begins to contemplate what it means to be “but man” once he loses his crown and is confined to relatively private, interior spaces (V.v.39). The lamentable, memorable ...
... politics in a number of Shakespeare's history plays, Richard begins to contemplate what it means to be “but man” once he loses his crown and is confined to relatively private, interior spaces (V.v.39). The lamentable, memorable ...
Strana
... by diverse groups of men (scholars, kings, chivalric knights, courtiers, family men, and rogues) remain sources of spiritual dignity, political fame, psychological regeneration, and commercial success. Notes 1. In keeping.
... by diverse groups of men (scholars, kings, chivalric knights, courtiers, family men, and rogues) remain sources of spiritual dignity, political fame, psychological regeneration, and commercial success. Notes 1. In keeping.
Strana
... Politics and Culture: Studies in Early Modern England (Cambridge: Cambridge University Press, 1986), p. 394. 4. In Book I of Spenser's Faerie Queene Una begins to “waile & weepe” when she discovers that Redcrosse has abandoned her (ii ...
... Politics and Culture: Studies in Early Modern England (Cambridge: Cambridge University Press, 1986), p. 394. 4. In Book I of Spenser's Faerie Queene Una begins to “waile & weepe” when she discovers that Redcrosse has abandoned her (ii ...
Strana
... Politics of History (New York: Columbia University Press, 1988), p. 32. Butler is wellknown for her emphasis on the performative dimension of gender: see, for instance, Bodies That Matter, p. 1. In “Unveiling Masculinity: The ...
... Politics of History (New York: Columbia University Press, 1988), p. 32. Butler is wellknown for her emphasis on the performative dimension of gender: see, for instance, Bodies That Matter, p. 1. In “Unveiling Masculinity: The ...
Obsah
Spensers Dialogic Feminine Voice | |
Stoical Anger in Jonsons | |
Emotional Kings and their Stoical Usurpers | |
Woeful Rhetoric | |
Chivalric Knights Courtiers and Shepherds Prone | |
Lyrical Private Expressions | |
Demonstrative Family Men Masculinity | |
Lamentable Men in Shakespeares | |
Peddling MiddleClass Values by Shedding | |
Postscript | |
Index | |
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Aemilia Lanyer Aeneid affection alludes androgyny anxiety Arcadia argues aristocratic audience Augustinian Ben Jonson Bolingbroke Book Calepine Calidore Cambridge University Press contrast courtiers critics death Despair dialogic discussion Donne’s Early Modern England edited Edward II effeminacy effeminate eighteenthcentury Elizabeth emotional expressiveness emotionally expressive emphasis English Renaissance epic episode exclaims Faerie Queene female feminine Feminism figure Florizel and Perdita Folger Shakespeare Library Fradubio Garrick Gaveston gender grief Hermione Hermione’s imagines intertextual John Donne Jonson King King’s laments Lanyer Legend of Courtesy Leontes London lyric male Mamillius man’s manhood Marlowe masculinity and emotion medieval Metamorphoses Mortimer mourning Musidorus Ovid passion Paulina Perdita Philoclea poem poet political Polixenes Pyrocles Quintilian Redcrosse Redcrosse’s response rhetoric Richard II romance seventeenth century Shakespeare Shakespeare’s play Shakespeare’s Richard Shakespeare’s Winter’s Tale Sidney Sidney’s Spenser stoical Stoicism Tamburlaine tears texts Timber versions of masculinity violent voice Walton Wandering Wood warrior weep and wail Winter’s Tale women writers York