Masculinity and Emotion in Early Modern English LiteratureRoutledge, 5. 12. 2016 - 256 strán (strany) The first full length treatment of how men of different professions, social ranks and ages are empowered by their emotional expressiveness in early modern English literary works, this study examines the profound impact of the cultural shift in the English aristocracy from feudal warriors to emotionally expressive courtiers or gentlemen on all kinds of men in early modern English literature. Jennifer Vaught bases her analysis on the epic, lyric, and romance as well as on drama, pastoral writings and biography, by Shakespeare, Spenser, Sidney, Marlowe, Jonson and Garrick among other writers. Offering new readings of these works, she traces the gradual emergence of men of feeling during the sixteenth and seventeenth centuries, to the blossoming of this literary version of manhood during the eighteenth century. |
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Strana
... violent warriors to courtiers or gentlemen on the emotional registers of all kinds of men in early modern literature. Although a number of literary critics rightly note that women are often imagined as anxietyproducing, contaminating ...
... violent warriors to courtiers or gentlemen on the emotional registers of all kinds of men in early modern literature. Although a number of literary critics rightly note that women are often imagined as anxietyproducing, contaminating ...
Strana
... violent dimension of Paulina's chastising rhetoric provides Leontes with a means of expressing remorse and performing penance for his transgressions. Even though the debilitating emotion of grief resists language profoundly and is ...
... violent dimension of Paulina's chastising rhetoric provides Leontes with a means of expressing remorse and performing penance for his transgressions. Even though the debilitating emotion of grief resists language profoundly and is ...
Strana
... violent warriors to more civilized courtiers or gentlemen with comparatively little military experience gradually transformed literary standards of manhood in the Renaissance. A bloody or scarred body was no longer the predominant sign ...
... violent warriors to more civilized courtiers or gentlemen with comparatively little military experience gradually transformed literary standards of manhood in the Renaissance. A bloody or scarred body was no longer the predominant sign ...
Strana
... affection for and friendly dependence on numerous literary predecessors is clear throughout The Faerie Queene, Jonson competes fiercely, aggressively, and even violently with ancient and early modern writers he perceives as.
... affection for and friendly dependence on numerous literary predecessors is clear throughout The Faerie Queene, Jonson competes fiercely, aggressively, and even violently with ancient and early modern writers he perceives as.
Strana
Jennifer C. Vaught. violently with ancient and early modern writers he perceives as rivals for the laurel crown. In ... violent kinds of manhood with the public realm of politics in a number of Shakespeare's history plays, Richard ...
Jennifer C. Vaught. violently with ancient and early modern writers he perceives as rivals for the laurel crown. In ... violent kinds of manhood with the public realm of politics in a number of Shakespeare's history plays, Richard ...
Obsah
Spensers Dialogic Feminine Voice | |
Stoical Anger in Jonsons | |
Emotional Kings and their Stoical Usurpers | |
Woeful Rhetoric | |
Chivalric Knights Courtiers and Shepherds Prone | |
Lyrical Private Expressions | |
Demonstrative Family Men Masculinity | |
Lamentable Men in Shakespeares | |
Peddling MiddleClass Values by Shedding | |
Postscript | |
Index | |
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Časté výrazy a frázy
Aemilia Lanyer Aeneid affection alludes androgyny anxiety Arcadia argues aristocratic audience Augustinian Ben Jonson Bolingbroke Book Calepine Calidore Cambridge University Press contrast courtiers critics death Despair dialogic discussion Donne’s Early Modern England edited Edward II effeminacy effeminate eighteenthcentury Elizabeth emotional expressiveness emotionally expressive emphasis English Renaissance epic episode exclaims Faerie Queene female feminine Feminism figure Florizel and Perdita Folger Shakespeare Library Fradubio Garrick Gaveston gender grief Hermione Hermione’s imagines intertextual John Donne Jonson King King’s laments Lanyer Legend of Courtesy Leontes London lyric male Mamillius man’s manhood Marlowe masculinity and emotion medieval Metamorphoses Mortimer mourning Musidorus Ovid passion Paulina Perdita Philoclea poem poet political Polixenes Pyrocles Quintilian Redcrosse Redcrosse’s response rhetoric Richard II romance seventeenth century Shakespeare Shakespeare’s play Shakespeare’s Richard Shakespeare’s Winter’s Tale Sidney Sidney’s Spenser stoical Stoicism Tamburlaine tears texts Timber versions of masculinity violent voice Walton Wandering Wood warrior weep and wail Winter’s Tale women writers York