Writing and the BodyHarvester Press, 1982 - 142 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 12.
Strana 36
... critically , from there . We don't seem to have the critical vocabulary to deal with the notions of patience and allied concepts . Our critical vocab- ulary directs us to open up , explore , understand . The criticism of Shakespeare ...
... critically , from there . We don't seem to have the critical vocabulary to deal with the notions of patience and allied concepts . Our critical vocab- ulary directs us to open up , explore , understand . The criticism of Shakespeare ...
Strana 41
... critical formalization . For all its linguistic and theatrical self - consciousness , Twelfth Night provides few openings for critical discourse to begin its work ; and 41 EVERYTHING AND NOTHING.
... critical formalization . For all its linguistic and theatrical self - consciousness , Twelfth Night provides few openings for critical discourse to begin its work ; and 41 EVERYTHING AND NOTHING.
Strana 42
... critical gain . And yet may not even this refusal of the critic to rest in position be itself a position of rest ? Or , to put it another way , may not our placing of ourselves with such certainty above Malvolio be itself an example of ...
... critical gain . And yet may not even this refusal of the critic to rest in position be itself a position of rest ? Or , to put it another way , may not our placing of ourselves with such certainty above Malvolio be itself an example of ...
Obsah
The Body in the Library | 1 |
Everything and Nothing | 34 |
Non Ego sed Democritus dixit | 64 |
Autorské práva | |
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Časté výrazy a frázy
able accept action answer artist audience authority aware becomes body bring called child comes course critical culture Dante death doubt dream Eliot everything example exist explore expression fact father feel fiction final followed forces give hand happening human Iago imagination important Kafka keep kind language later Latin leads lectures letter lines lives London look matter meaning merely mind move nature never notes novel once one's Othello perhaps person play plot poem possible precisely present question reader reality relation rhetoric scene seems seen sense Shakespeare Shandy simply someone speak speech stand Sterne story suggest talking tell thing thought tradition Tristram true trust truth turn understand voice Volume whole wonder writing written