Writing and the BodyHarvester Press, 1982 - 142 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 21.
Strana 38
... example , that Gower provides a narrative continuity , like recitativo , while the main action dramatizes the central episodes . In the imagery music is practically the hero of the play : it is to the action of Pericles what Prospero's ...
... example , that Gower provides a narrative continuity , like recitativo , while the main action dramatizes the central episodes . In the imagery music is practically the hero of the play : it is to the action of Pericles what Prospero's ...
Strana 65
... example , he gives Figaro the wonderful aria ' Non piu andrai ' which ends Act I of The Marriage of Figaro - Mozart is happy to enter the world of martial music and plunder it of its riches , bring it to life - in ironic counterpoint of ...
... example , he gives Figaro the wonderful aria ' Non piu andrai ' which ends Act I of The Marriage of Figaro - Mozart is happy to enter the world of martial music and plunder it of its riches , bring it to life - in ironic counterpoint of ...
Strana 79
... examples of such an aesthetic in action . Consider , for instance , what Eliot is able to say by the most obvious kind of making : cutting a quotation out of its place in a continuum and placing it in a new context . I won't go into any ...
... examples of such an aesthetic in action . Consider , for instance , what Eliot is able to say by the most obvious kind of making : cutting a quotation out of its place in a continuum and placing it in a new context . I won't go into any ...
Obsah
The Body in the Library | 1 |
Everything and Nothing | 34 |
Non Ego sed Democritus dixit | 64 |
Autorské práva | |
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able accept action answer artist audience authority aware becomes body bring called child comes course critical culture Dante death doubt dream Eliot everything example exist explore expression fact father feel fiction final followed forces give hand happening human Iago imagination important Kafka keep kind language later Latin leads lectures letter lines lives London look matter meaning merely mind move nature never notes novel once one's Othello perhaps person play plot poem possible precisely present question reader reality relation rhetoric scene seems seen sense Shakespeare Shandy simply someone speak speech stand Sterne story suggest talking tell thing thought tradition Tristram true trust truth turn understand voice Volume whole wonder writing written