Writing and the BodyHarvester Press, 1982 - 142 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 18.
Strana xiv
... . Like all true dialogues , it has no end . But it is not just about the choices each human being and each artist has to make ; it is also concerned with the contrast between epochs , between the art of the past and xiv WRITING AND THE ...
... . Like all true dialogues , it has no end . But it is not just about the choices each human being and each artist has to make ; it is also concerned with the contrast between epochs , between the art of the past and xiv WRITING AND THE ...
Strana 3
... human voice was very weak . How might I make it carry to the ear of the Chief ? ' Suddenly he hits on a solution . He looks up the name ' Albert ' in the telephone directory and takes a train to a nearby town , where a certain Stephen ...
... human voice was very weak . How might I make it carry to the ear of the Chief ? ' Suddenly he hits on a solution . He looks up the name ' Albert ' in the telephone directory and takes a train to a nearby town , where a certain Stephen ...
Strana 66
... human race , is fundamentally illiterate — that in my eyes is precisely what makes her uncanny . ' - Adrian , on the other hand , finds this fascinating . Not just because he is more curious than his friend , but because he has less ...
... human race , is fundamentally illiterate — that in my eyes is precisely what makes her uncanny . ' - Adrian , on the other hand , finds this fascinating . Not just because he is more curious than his friend , but because he has less ...
Obsah
The Body in the Library | 1 |
Everything and Nothing | 34 |
Non Ego sed Democritus dixit | 64 |
Autorské práva | |
2 zvyšných častí nezobrazených
Časté výrazy a frázy
able accept action answer artist audience authority aware becomes body bring called child comes course critical culture Dante death doubt dream Eliot everything example exist explore expression fact father feel fiction final followed forces give hand happening human Iago imagination important Kafka keep kind language later Latin leads lectures letter lines lives London look matter meaning merely mind move nature never notes novel once one's Othello perhaps person play plot poem possible precisely present question reader reality relation rhetoric scene seems seen sense Shakespeare Shandy simply someone speak speech stand Sterne story suggest talking tell thing thought tradition Tristram true trust truth turn understand voice Volume whole wonder writing written