Writing and the BodyHarvester Press, 1982 - 142 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 12.
Strana 30
... imagination , is not an easy notion to grasp , since to grasp it the imagination must some- how recognise its own limits . In fact , it can only be grasped by realising its opposite : because I grasp that there are alternative lives I ...
... imagination , is not an easy notion to grasp , since to grasp it the imagination must some- how recognise its own limits . In fact , it can only be grasped by realising its opposite : because I grasp that there are alternative lives I ...
Strana 69
... imagination of the artist , and , once men had lost Beethoven's confidence in his own will , what was there to put in its place ? The situation Leverkühn inherits is that of being Beethoven's heir without the latter's optimistic belief ...
... imagination of the artist , and , once men had lost Beethoven's confidence in his own will , what was there to put in its place ? The situation Leverkühn inherits is that of being Beethoven's heir without the latter's optimistic belief ...
Strana 130
... imagination ... ' . Nothing I have been talking about has to do with any kind of specialised discipline : a little imagination , a little attention , that is all that is required . Naturally , if there are imaginative and brilliant men ...
... imagination ... ' . Nothing I have been talking about has to do with any kind of specialised discipline : a little imagination , a little attention , that is all that is required . Naturally , if there are imaginative and brilliant men ...
Obsah
The Body in the Library | 1 |
Everything and Nothing | 34 |
Non Ego sed Democritus dixit | 64 |
Autorské práva | |
2 zvyšných častí nezobrazených
Časté výrazy a frázy
able accept action answer artist audience authority aware becomes body bring called child comes course critical culture Dante death doubt dream Eliot everything example exist explore expression fact father feel fiction final followed forces give hand happening human Iago imagination important Kafka keep kind language later Latin leads lectures letter lines lives London look matter meaning merely mind move nature never notes novel once one's Othello perhaps person play plot poem possible precisely present question reader reality relation rhetoric scene seems seen sense Shakespeare Shandy simply someone speak speech stand Sterne story suggest talking tell thing thought tradition Tristram true trust truth turn understand voice Volume whole wonder writing written