Writing and the BodyHarvester Press, 1982 - 142 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 42.
Strana 41
Gabriel Josipovici. totally involved and committed impartiality ' , by the sense of play being at its strongest where the conventions are the most intrusive . It is a play in which everyone plays , and those to whom our sympathies go out ...
Gabriel Josipovici. totally involved and committed impartiality ' , by the sense of play being at its strongest where the conventions are the most intrusive . It is a play in which everyone plays , and those to whom our sympathies go out ...
Strana 43
... play is that Iago has refused to say something . And this initial stance of blockage is one we will grow familiar with in the course of the play . It is Iago's chief ploy . Let us examine it a little more closely . I entertain a visitor ...
... play is that Iago has refused to say something . And this initial stance of blockage is one we will grow familiar with in the course of the play . It is Iago's chief ploy . Let us examine it a little more closely . I entertain a visitor ...
Strana 51
... plays , the situation here is rather different . For one thing , it is not of course strictly speaking a play or dumb show within the play : Desdemona and Cassio may be playing a game , but it is the game of good manners , not a play ...
... plays , the situation here is rather different . For one thing , it is not of course strictly speaking a play or dumb show within the play : Desdemona and Cassio may be playing a game , but it is the game of good manners , not a play ...
Obsah
The Body in the Library | 1 |
Everything and Nothing | 34 |
Non Ego sed Democritus dixit | 64 |
Autorské práva | |
2 zvyšných častí nezobrazených
Časté výrazy a frázy
able accept action answer artist audience authority aware becomes body bring called child comes course critical culture Dante death doubt dream Eliot everything example exist explore expression fact father feel fiction final followed forces give hand happening human Iago imagination important Kafka keep kind language later Latin leads lectures letter lines lives London look matter meaning merely mind move nature never notes novel once one's Othello perhaps person play plot poem possible precisely present question reader reality relation rhetoric scene seems seen sense Shakespeare Shandy simply someone speak speech stand Sterne story suggest talking tell thing thought tradition Tristram true trust truth turn understand voice Volume whole wonder writing written