Writing and the BodyHarvester Press, 1982 - 142 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 11.
Strana 24
... precisely defines the present in which the story is trying to get written . Historicism inevitably culminates in universal history , but Universal history has no theoretical armature . Its method is additive ; it musters a mass of data ...
... precisely defines the present in which the story is trying to get written . Historicism inevitably culminates in universal history , but Universal history has no theoretical armature . Its method is additive ; it musters a mass of data ...
Strana 30
... precisely , precisely now . In Stephen Albert's library the other side is presented to him : In all fictional works , each time a man is confronted with several alternatives , he chooses one and eliminates the others ; in the fiction of ...
... precisely , precisely now . In Stephen Albert's library the other side is presented to him : In all fictional works , each time a man is confronted with several alternatives , he chooses one and eliminates the others ; in the fiction of ...
Strana 120
... precisely what he hopes to gain by marrying . The most one can do in this life , he tells his father , is to marry and raise a family and protect them against the world . But marriage , which would allow him to stand on the same footing ...
... precisely what he hopes to gain by marrying . The most one can do in this life , he tells his father , is to marry and raise a family and protect them against the world . But marriage , which would allow him to stand on the same footing ...
Obsah
The Body in the Library | 1 |
Everything and Nothing | 34 |
Non Ego sed Democritus dixit | 64 |
Autorské práva | |
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Časté výrazy a frázy
able accept action answer artist audience authority aware becomes body bring called child comes course critical culture Dante death doubt dream Eliot everything example exist explore expression fact father feel fiction final followed forces give hand happening human Iago imagination important Kafka keep kind language later Latin leads lectures letter lines lives London look matter meaning merely mind move nature never notes novel once one's Othello perhaps person play plot poem possible precisely present question reader reality relation rhetoric scene seems seen sense Shakespeare Shandy simply someone speak speech stand Sterne story suggest talking tell thing thought tradition Tristram true trust truth turn understand voice Volume whole wonder writing written