Writing and the BodyHarvester Press, 1982 - 142 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 17.
Strana 49
Gabriel Josipovici. first scene of Act II reinforces our sense of Othello's epic quality . This is the storm scene with which Verdi starts his opera . What Verdi cannot do of course , since he does not dream of taking the radical step of ...
Gabriel Josipovici. first scene of Act II reinforces our sense of Othello's epic quality . This is the storm scene with which Verdi starts his opera . What Verdi cannot do of course , since he does not dream of taking the radical step of ...
Strana 54
... scene opens Cassio exits and Iago remarks , in one of his pretended asides : ' Ha ! I like not that . ' Othello is still distracted : ' What dost thou say ? ' ' Nothing , my lord ... ' . But , as we have repeatedly seen , to say ...
... scene opens Cassio exits and Iago remarks , in one of his pretended asides : ' Ha ! I like not that . ' Othello is still distracted : ' What dost thou say ? ' ' Nothing , my lord ... ' . But , as we have repeatedly seen , to say ...
Strana 61
... scene with the way Rosalind does so in As You Like It . In that play the audience knows what Rosalind but no one else knows . It is privy to all the secrets of the plot . The pleasure here , as in Twelfth Night , derives from seeing the ...
... scene with the way Rosalind does so in As You Like It . In that play the audience knows what Rosalind but no one else knows . It is privy to all the secrets of the plot . The pleasure here , as in Twelfth Night , derives from seeing the ...
Obsah
The Body in the Library | 1 |
Everything and Nothing | 34 |
Non Ego sed Democritus dixit | 64 |
Autorské práva | |
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Časté výrazy a frázy
able accept action answer artist audience authority aware becomes body bring called child comes course critical culture Dante death doubt dream Eliot everything example exist explore expression fact father feel fiction final followed forces give hand happening human Iago imagination important Kafka keep kind language later Latin leads lectures letter lines lives London look matter meaning merely mind move nature never notes novel once one's Othello perhaps person play plot poem possible precisely present question reader reality relation rhetoric scene seems seen sense Shakespeare Shandy simply someone speak speech stand Sterne story suggest talking tell thing thought tradition Tristram true trust truth turn understand voice Volume whole wonder writing written