EXTRACTS FROM THE ESSAYS OF MONTAIGNE. 499 Pesselier). Berlin (Paris), Etienne de Bordeaux, 1753, 12mo. 2 vols. 10. The same.-Nouvelle édition. Berlin et Paris. Rozet, 1767, 12mo. 2 vols. Same edition as the preceding; there are only the titles changed. 11. The same.-Londres, 1783, 18mo. 2 vols. Portrait. 12. L'Ami des Jeunes Gens, ou Guide pour les conduire dans la société, leur inspirer l'amour des vertus, les éloigner du vice, etc.; ouvrage dans lequel on a extrait des morceaux de Plutarque, Cicéron, Pline, Quintilien, Montesquieu, Montaigne, Fénélon, Buffon, Raynal, etc. Paris, Deterville (no date), 2 vols. 12, fig. (by Retz, but published anonymously.) This work is the same that appeared in 1790, under the title Guide des Jeunes Gens de l'un et de l'autre sexe, à leur entrée dans le monde; the titles only are changed. 13. Le Portrait du Sage, extrait de Confucius, Platon, Zénon, Cicéron, Sénèque, Epictete, Marc Aurèle, Plutarque, Montaigne, Bacon, Charron, Fénélon, La Bruyère, Sterne, J.-J. Rousseau, Weiss, etc.; editeur, Gabriel Peignot, Paris, 1809, 12mo. 48 pages, "grand papier velin fort, tiré à 75 exemplaires tous numérotés, et deux sur papier rose." 14. L'Esprit de Montaigne, avec une préface et des notes, par M. Laurentie, Paris, Mequignon-Havart et Bricon, 1829, 18mo., 1 vol. Part of the Bibliothèque choisie, published under the direction of M. Laurentie. This volume is extracted not from the Essays, but from the work of Pesselier, which the present editor has, however abridged: "Nous avons gardé," says he, " dans ce recueil ce qui a dû être inspiré seulement par le christianisme; le grec du portique a disparu. Ce livre contient, non pas Montaigne échappé des écoles d'Athénes, mais Montaigne française et chrétien." APPENDIX TO THE ESSAYS. PART II. PORTRAITS OF MONTAIGNE. There are several PORTRAITS, reputed ORIGINALS, of Montaigne. 1. Fiquet has left us one, after a very remarkable portrait, painted in 1578, by Dumoustier. 2. The Montaigne engraved by Chéreau, in 1725, is after a portrait which at that time belonged to M. Berroyer, Counsellor to the Parliament. 3. That published by Delpech is copied from a portrait which was for a long time in the Depôt des Archives, and has only been recently removed thence. 1. The most ancient of the ENGRAVED PORTRAITS that I am acquainted with is that which appeared in the editions of 1611 and 1617, signed Thomas de Leu: it has some resemblance to that of Dumoustier. 2. Father Lelong (in the Bibliothèque Historique) mentions, about this epoch, a portrait of Montaigne by Jaspard Ísaac. 3. The same, by Desrochers. 4to. 4. The edition of 1635 has a portrait, with no signature, which also appeared in the editions of 1652 and 1657. The armorial bearings by which it is accompanied are incorrect. In some copies the arms are omitted. 5. The edition of 1640 has a portrait, but without any signa ture. 6. There is a portrait, signed N. de Larmessin, in the edition of Paris, 1659. 7. The same, also in the edition of Holland, 1659, with the signature P. Clouwet. 8. Also in the edition of Paris, 1669, with the signature Matheus. 9. There is a portrait of Montaigne, in the small size, in the work by Freher, published in 1688. 10, 11, 12. In the edition of the Essays, 1641, in that of "L'Esprit de Montaigne," 1677, and in the Pensées," 1701, there is respectively a portrait of very small size. That of 1641 is signed F. Honeruogt. 12. The same, designed by Genest, engraved by Chéreau, 4to. 1723 (after that of 1635), in the edition of London, 1724. The arms here also are incorrect. 14. The same, engraved by Chéreau, 4to. 1725 (after the portrait announced as original, communicated by M. Berroyer). The arms are correct. In the edition of Paris, 1725. 15, 16, 17. There are three reductions of this portrait; one in 8vo., in the edition of Amsterdam, 1781; another, in 12mo., in the edition of London, 1771; the third, in 18mo., in the edition of the "Pensées," London, 1783. 18. The same, designed by Jorat, and engraved by François, in the manner of red chalk, in 4to., in the work of Saverien. (See the list of authors.) 19. The same, J. Blanchon, inv. sculps. A reduction, in 8vo., of the preceding; black, with the initials of François. 20. The same, in the line manner, in the work of Lavater, vol. 3, La Haye, 1796, folio. 21. The same, engraved by Fiquet, in 8vo., after a portrait by Dumoustier, in 1578. This portrait is one of the finest of all that have been published. 22. The same, after the same; no signature. In the edition of 1796. 23. The same, engraved by A. de Saint-Aubin, and finished by Romanet, 4to. A fine engraving, in the edition in 4to. of the Journey. 24. The same, engraved by Voyer, jun., 4to. (after the preceding.) 25. The same, signed F. N. et Martinet, 8vo. (after the preceding.) 26. The same, designed and engraved by Noel Primeau (after the preceding), 8vo., in the editions published by Bastien. 27. The same, engraved by Lebeau, 4to. (Esnauts et Rapilly.) 28. The same, Marillier del., Ponce sculp. In the work entitled Illustres Français. 29. The same, designed and engraved by F. Bonneville, 8vo. (after that by Saint-Aubin.) 30. The same, engraved by P. M. Alix, after Dumoustier, and coloured by Bechet, folio, oval form, published by Drouhin. 31. The same, designed by Cocaskis, engraved by Alex. Tardieu, 8vo., in the edition by Lefevre, 1818. 32. The same, engraved by Leroux, after Dumoustier, 8vo., in the edition by Desoer. 33. The same, engraved by P. Audoin, 8vo., in the edition by Chasseriau. 34. The same, in the line manner, by Meysens (Landon dir.). 8vo. (Biogr. Univ. et galerie hist. de Landon.) 35. The same, designed and engraved by Dupont, in an edition by Lefevre, 8vo. 36. The same, exactly resembling the preceding as to the por trait, engraved by Pollet, in another edition of Lefevre, 8vo. 37. The same, designed by Deveria, engraved by Fauchery, 8vo. 38. The same, engraved on steel by Lefevre, 4to., published by Blaisot. 39. The same, Aug. Saint-Aubin, a profile in medallion, 8vo., in the edition by Naigeon. 40. The same, C. Hulot, a profile in medallion, in the edition in 18mo., by Lefevre. 41. The same, at the head of a Notice sur Montaigne, in the "Iconographie instructive." 42. The same, engraved by Read, from the original picture in the Depot des Archives du Royaume, at Paris, published by Templeman. There are several other portraits, in different sizes, without sig natures. The full-length portraits of Montaigne are: 43. In the engraving by M. Forster, from the picture by Gros, representing Charles the Fifth visiting the tomb of St. Denis, folio. 44. In the engraving by Baquoy, after Ducis, of Montaigne visiting Tasso, folio. 45. The same, Leroux sculp., Devéria del., 8vo. 1822. 46. The same, engraved by Leroy, after Dupont, large 8vo., 1835, in the Plutarque Français. 47. A lithographed portrait, Bouillon del., after the bust in the Musée des Monumens français, 4to., in the Galerie Française. 48. The same, 4to., Gautheret et Weber. 49. The same, folio, P. Indré. 50. The same, folio, Maurin (after that of the Musée des Monumens Français), published by Delpech. 51. The same, reduced from the preceding. 52. Published copy (Paris) of the original painting on wood, in the possession of Dr. Payen. 53. The same, in Mr. Bayle St. John's Biography of Montaigne. 54. The same, in the edition of Montaigne's Works, published by Hurd and Houghton. INDEX TO THE AUTHORS QUOTED IN THE ESSAYS OF MONTAIGNE. ACCIUS, Lucius, iii. 444. Aelian, Claud. i. 425; ii. 116, 173, 174, 194; iii. 128, 141, 158, 281. Ambrose, St. ii. 17. Ammianus Marcellinus, i. 109, 395; ii. 79, 381, 426, 427, 491. Ariosto, i. 80, 268, 475; ii. 78, 197, 868, 523. Aristotle, i. 64, 170, 266, 274, 450, 492; ii. 45, 53, 56, 58, 75, 144, 173, 200, Arrian, i. 103, 428, ii. 153, 173, 230; iii. 148, 464. Ateius Capito, ii. 451. Athanasius, St. i. 309. Athenæus, ii. 457; iii. 453. Attius, iii. 12. Augustin, St. i. 69, 147, 153, 263, 336, 363, 366, 380, 463; ii. 131, 219, 225, Augustus, ii. 165. Aulus Gellius, i. 87, 103, 113, 274, 829, 414, 468, 472; ii. 29, 168, 207, 239, Aurelius, Victor, i. 395; ii. 400. Ausonius, iii. 33. |