PREFACE.

ALTHOUGH the title of this work sufficiently explains its object, we may be permitted to say, that we conceive its plan has novelty enough to exempt it from the charge of being a downright redundancy, in a market already pretty well stocked. Although the art of clipping out books, and cabbaging thoughts, has now arrived at great perfection, we yet consider a Dictionary of Detached Passages, from the inexhaustible treasury of the British Poets, as somewhat of a new clip, and that we are consequently entitled to the same privilege which every ingenious tailor enjoys on a similar occasion. We do not mean to puff, but we hereby challenge any bookseller, to show us half as much good poetry (always excepting his own publications,) in any work three times the size and three times the price; we therefore heartily recommend this Dictionary as the best pennyworth of poetry now extant.

We have only further to observe, that nothing has been admitted, which has a tendency to offend decency or injure morality; and we have been fully as studious to select those passages which convey solid instruction, as those that are merely addressed to the fancy. Indeed, he must know little of the vigorous nerve and intellectual grasp of our great English poets, who is not aware that, while they

throw "the drapery of a moral imagination over our poor shivering nature,” they have sung as many great truths as others have said, and with a felicity and energy peculiar to themselves. In our selections, we have paid more attention to the sterling character of the poetry than to the triteness of the quotation; our squeamish reader must not, therefore, turn away, if he should meet The curfew tolls," "To be or not to be," and many more of his school companions.

These Quotations may, then, with perfect safety, and some profit, be put into the hands of our youth: they may even refresh the memory of the old; ana they may, perhaps, be not altogether unprofitable to those misses and misters, who, smit with the love of song and their own pretty fancies, mistake the fury of a diseased appetite for the flame of genius, * and plunge incontinently into a sea of ink, whereafter floundering about, and making the most indecent exposures, they either sink outright, or are rescued by the humane efforts of their friends, and restored to the rank of sober citizens.

QUOTATIONS

FROM THE

BRITISH POETS.

ABBEY. Melrose Abbey.

If thou would'st view fair Melrose aright,
Go visit it by the pale moonlight;

For the gay beams of lightsome day
Gild, but to flout, the ruins gray.

When the broken arches are black in night,

And each shafted oriel glimmers white;
When the cold light's uncertain shower
Streams on the ruined central tower;
When buttress and buttress, alternately,
Seem framed of ebon and ivory;

When silver edges the imagery,

And the scrolls that teach thee to live and die;

When distant Tweed is heard to rave,

And the owlet to hoot o'er the dead man's grave;

Then go-but go alone the while

Then view St. David's ruined pile.

ACHITOPHEL. Character of.

For close designs and crooked counsels fit;
Sagacious, bold, and turbulent of wit;

Scott.