Jonson and Elizabethan Comedy: Essays in Dramatic RhetoricHuntington Library, 1978 - 351 strán (strany) |
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Strana 10
... Shakespeare to contrast the gracious with the ungracious audiences , no doubt , and he illustrated the distinction in the ill - behaved gentlemen of Navarre in Love's Labor's Lost . The princess reproves them for unkind treatment of the ...
... Shakespeare to contrast the gracious with the ungracious audiences , no doubt , and he illustrated the distinction in the ill - behaved gentlemen of Navarre in Love's Labor's Lost . The princess reproves them for unkind treatment of the ...
Strana 86
... Shakespeare reified the comedy that Lyly fashioned , lending it greater dignity and power , for Shakespeare dared to present a more robust experience than Lyly's delicate playthings could suggest . Lyly carefully poised his mixed ...
... Shakespeare reified the comedy that Lyly fashioned , lending it greater dignity and power , for Shakespeare dared to present a more robust experience than Lyly's delicate playthings could suggest . Lyly carefully poised his mixed ...
Strana 315
... Shakespeare's serious plays . In later tragedy , how objective could the boy actor have been who delivered Cleopatra's lines when she refuses to go to Rome a prisoner , only to see the players do their Alexandrian revels and some ...
... Shakespeare's serious plays . In later tragedy , how objective could the boy actor have been who delivered Cleopatra's lines when she refuses to go to Rome a prisoner , only to see the players do their Alexandrian revels and some ...
Obsah
Jonson Shakespeare and the Divided Audience | 1 |
Dissimulation and Symbiosis | 24 |
Comedy of Admiration | 35 |
Autorské práva | |
9 zvyšných častí nezobrazených
Časté výrazy a frázy
action actors admiration appears audience Bartholomew beauty becomes beginning better called characters comedy comes comic common compass court critics delight describes dialogue drama dream effect Elizabethan English epigram eyes face Fair feelings figure finally fools force give hand heart hope human Humor idea ideal imagination imitation important interpretation John Jonson keep kind Lady language later learned less light lines live look lovers Lyly masque matter meaning mind mock moral nature never perfect perhaps Plautus play pleasure poems poet poetry praise present reason remarks Revels rhetoric Sapho satire says scene seems seen sense Shakespeare similar social soul speak speech spirit stage style suggest theater theory things thought true truth turn understand virtue Volpone wants whole wonder