Jonson and Elizabethan Comedy: Essays in Dramatic RhetoricHuntington Library, 1978 - 351 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 34.
Strana ix
... apparently accepted the challenge to be successful as well as right in a number of ways , sometimes accommodating his art to the baser elements of his audience and sometimes reaching for heights of thought or mirth that appealed to none ...
... apparently accepted the challenge to be successful as well as right in a number of ways , sometimes accommodating his art to the baser elements of his audience and sometimes reaching for heights of thought or mirth that appealed to none ...
Strana 27
... apparently another version of the puppeteer from Bartholomew Fair . 28 Jonson himself took a walking tour to Scotland and back in 1619 , where he consorted with the great and small , sang for his supper like a comic parasite , as he ...
... apparently another version of the puppeteer from Bartholomew Fair . 28 Jonson himself took a walking tour to Scotland and back in 1619 , where he consorted with the great and small , sang for his supper like a comic parasite , as he ...
Strana 193
... Apparently Jonson discovered a better way of writing comedies as he worked on Volpone , and part of it may be related to that primitive sense of metaphor mentioned in the last chapter , whereby cunning men use language to disguise ...
... Apparently Jonson discovered a better way of writing comedies as he worked on Volpone , and part of it may be related to that primitive sense of metaphor mentioned in the last chapter , whereby cunning men use language to disguise ...
Obsah
Jonson Shakespeare and the Divided Audience | 1 |
Dissimulation and Symbiosis | 24 |
Comedy of Admiration | 35 |
Autorské práva | |
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Časté výrazy a frázy
action actors admiration appears audience Bartholomew beauty becomes beginning better called characters comedy comes comic common compass court critics delight describes dialogue drama dream effect Elizabethan English epigram eyes face Fair feelings figure finally fools force give hand heart hope human Humor idea ideal imagination imitation important interpretation John Jonson keep kind Lady language later learned less light lines live look lovers Lyly masque matter meaning mind mock moral nature never perfect perhaps Plautus play pleasure poems poet poetry praise present reason remarks Revels rhetoric Sapho satire says scene seems seen sense Shakespeare similar social soul speak speech spirit stage style suggest theater theory things thought true truth turn understand virtue Volpone wants whole wonder