Jonson and Elizabethan Comedy: Essays in Dramatic RhetoricHuntington Library, 1978 - 351 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 58.
Strana 74
... comes from the plays ' mysteries . We sense the mystery , a teasing charm of action , and that leads us on strangely . It probably arises from our awareness of a fundamental discontinuity and ultimate irrationality . In Alexander and ...
... comes from the plays ' mysteries . We sense the mystery , a teasing charm of action , and that leads us on strangely . It probably arises from our awareness of a fundamental discontinuity and ultimate irrationality . In Alexander and ...
Strana 132
... comes in the un- masking of Lupus , with the aid of Virgil's magic , and corrective punishment comes from Horace's wit , sanctioned by Virgil's bles- sing . Laughter and wonder still pervade the scenes , sometimes too intimately for ...
... comes in the un- masking of Lupus , with the aid of Virgil's magic , and corrective punishment comes from Horace's wit , sanctioned by Virgil's bles- sing . Laughter and wonder still pervade the scenes , sometimes too intimately for ...
Strana 159
... comes from habitual repetitions , a redundancy that Richard Wilbur manages to catch in his brilliant translation . For example , Did not truth , honor , decency , and the laws Oppose my enemy and approve my cause ? My claims were ...
... comes from habitual repetitions , a redundancy that Richard Wilbur manages to catch in his brilliant translation . For example , Did not truth , honor , decency , and the laws Oppose my enemy and approve my cause ? My claims were ...
Obsah
Jonson Shakespeare and the Divided Audience | 1 |
Dissimulation and Symbiosis | 24 |
Comedy of Admiration | 35 |
Autorské práva | |
9 zvyšných častí nezobrazených
Časté výrazy a frázy
action actors admiration appears audience Bartholomew beauty becomes beginning better called characters comedy comes comic common compass court critics delight describes dialogue drama dream effect Elizabethan English epigram eyes face Fair feelings figure finally fools force give hand heart hope human Humor idea ideal imagination imitation important interpretation John Jonson keep kind Lady language later learned less light lines live look lovers Lyly masque matter meaning mind mock moral nature never perfect perhaps Plautus play pleasure poems poet poetry praise present reason remarks Revels rhetoric Sapho satire says scene seems seen sense Shakespeare similar social soul speak speech spirit stage style suggest theater theory things thought true truth turn understand virtue Volpone wants whole wonder