Jonson and Elizabethan Comedy: Essays in Dramatic RhetoricHuntington Library, 1978 - 351 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 32.
Strana 64
... force , for the moment out of his character , masculine power under feminine government a speaking picture indeed for Elizabethans . 33 Although his potential inner nature is appropriately suggested , the outer garments and his ...
... force , for the moment out of his character , masculine power under feminine government a speaking picture indeed for Elizabethans . 33 Although his potential inner nature is appropriately suggested , the outer garments and his ...
Strana 121
... forces operate in the play , one moving toward a contemplation of an exalted ideal , love of an almost unearthly perfection ... force draws the second into its field , reconciling self - love to its subordi- nate place . So there are two ...
... forces operate in the play , one moving toward a contemplation of an exalted ideal , love of an almost unearthly perfection ... force draws the second into its field , reconciling self - love to its subordi- nate place . So there are two ...
Strana 308
... force ) , with a picture of a compass in a partly complete circle ; one leg stands firm on the ground , the other is broken . The verses beneath say that he who forces his mind and desires more than he is capable of is like one who ...
... force ) , with a picture of a compass in a partly complete circle ; one leg stands firm on the ground , the other is broken . The verses beneath say that he who forces his mind and desires more than he is capable of is like one who ...
Obsah
Jonson Shakespeare and the Divided Audience | 1 |
Dissimulation and Symbiosis | 24 |
Comedy of Admiration | 35 |
Autorské práva | |
9 zvyšných častí nezobrazených
Časté výrazy a frázy
action actors admiration appears audience Bartholomew beauty becomes beginning better called characters comedy comes comic common compass court critics delight describes dialogue drama dream effect Elizabethan English epigram eyes face Fair feelings figure finally fools force give hand heart hope human Humor idea ideal imagination imitation important interpretation John Jonson keep kind Lady language later learned less light lines live look lovers Lyly masque matter meaning mind mock moral nature never perfect perhaps Plautus play pleasure poems poet poetry praise present reason remarks Revels rhetoric Sapho satire says scene seems seen sense Shakespeare similar social soul speak speech spirit stage style suggest theater theory things thought true truth turn understand virtue Volpone wants whole wonder