Jonson and Elizabethan Comedy: Essays in Dramatic RhetoricHuntington Library, 1978 - 351 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 45.
Strana 67
... keep his comedies true to the proper social types or kinds of men , but he still wanted to keep people's attention and to please them by intermingling the grave with the delightful . Unfortu- nately Whetstone's crude plays fell ...
... keep his comedies true to the proper social types or kinds of men , but he still wanted to keep people's attention and to please them by intermingling the grave with the delightful . Unfortu- nately Whetstone's crude plays fell ...
Strana 79
... keep no company with deceitful courtiers , be careful of treachery and guarded in speech . " If any talk of the eclipse of the sun , say thou never sawest it . " Phao properly objects , " Alas ! madam , your prophecy threateneth mis ...
... keep no company with deceitful courtiers , be careful of treachery and guarded in speech . " If any talk of the eclipse of the sun , say thou never sawest it . " Phao properly objects , " Alas ! madam , your prophecy threateneth mis ...
Strana 84
... keep the idea of honor inviolate . Death is the only end she foresees , tearing apart body and soul . As if she cannot control her actions , Sapho proceeds to glut herself on Phao's face , to seek remedies " that he can bring to her bed ...
... keep the idea of honor inviolate . Death is the only end she foresees , tearing apart body and soul . As if she cannot control her actions , Sapho proceeds to glut herself on Phao's face , to seek remedies " that he can bring to her bed ...
Obsah
Jonson Shakespeare and the Divided Audience | 1 |
Dissimulation and Symbiosis | 24 |
Comedy of Admiration | 35 |
Autorské práva | |
9 zvyšných častí nezobrazených
Časté výrazy a frázy
action actors admiration appears audience Bartholomew beauty becomes beginning better called characters comedy comes comic common compass court critics delight describes dialogue drama dream effect Elizabethan English epigram eyes face Fair feelings figure finally fools force give hand heart hope human Humor idea ideal imagination imitation important interpretation John Jonson keep kind Lady language later learned less light lines live look lovers Lyly masque matter meaning mind mock moral nature never perfect perhaps Plautus play pleasure poems poet poetry praise present reason remarks Revels rhetoric Sapho satire says scene seems seen sense Shakespeare similar social soul speak speech spirit stage style suggest theater theory things thought true truth turn understand virtue Volpone wants whole wonder