Jonson and Elizabethan Comedy: Essays in Dramatic RhetoricHuntington Library, 1978 - 351 strán (strany) |
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Strana 78
... moral choice no overriding necessity obtains . A man in his day - to - day life had to make moral decisions , and he was obliged to act , not to withdraw . In Lyly's plays , the religious concern for salvation does not arise , for the moral ...
... moral choice no overriding necessity obtains . A man in his day - to - day life had to make moral decisions , and he was obliged to act , not to withdraw . In Lyly's plays , the religious concern for salvation does not arise , for the moral ...
Strana 179
... moral earnestness . And I do not for a moment think the ironic elements here are especially sharp . At the grossest extreme some readers find the whole seduction merely farcical , because otherwise they are overwhelmed by the moral ...
... moral earnestness . And I do not for a moment think the ironic elements here are especially sharp . At the grossest extreme some readers find the whole seduction merely farcical , because otherwise they are overwhelmed by the moral ...
Strana 323
... Moral Basis of Jonson's Theory of Humour Characterization , " ELH , 28 ( 1961 ) , 316-24 . However , neither of those commentators observe that once Jonson has made the distinctions , he proceeds to blur them , and I think Redwine ...
... Moral Basis of Jonson's Theory of Humour Characterization , " ELH , 28 ( 1961 ) , 316-24 . However , neither of those commentators observe that once Jonson has made the distinctions , he proceeds to blur them , and I think Redwine ...
Obsah
Jonson Shakespeare and the Divided Audience | 1 |
Dissimulation and Symbiosis | 24 |
Comedy of Admiration | 35 |
Autorské práva | |
9 zvyšných častí nezobrazených
Časté výrazy a frázy
action actors admiration appears audience Bartholomew beauty becomes beginning better called characters comedy comes comic common compass court critics delight describes dialogue drama dream effect Elizabethan English epigram eyes face Fair feelings figure finally fools force give hand heart hope human Humor idea ideal imagination imitation important interpretation John Jonson keep kind Lady language later learned less light lines live look lovers Lyly masque matter meaning mind mock moral nature never perfect perhaps Plautus play pleasure poems poet poetry praise present reason remarks Revels rhetoric Sapho satire says scene seems seen sense Shakespeare similar social soul speak speech spirit stage style suggest theater theory things thought true truth turn understand virtue Volpone wants whole wonder