Jonson and Elizabethan Comedy: Essays in Dramatic RhetoricHuntington Library, 1978 - 351 strán (strany) |
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Strana 103
Essays in Dramatic Rhetoric Lester A. Beaurline. 4 . The Wonder of Comic Satire Long after he abandoned comic satire on the stage , Jonson remembered its potent blend of jest and earnest , learned from his predecessors as far back as ...
Essays in Dramatic Rhetoric Lester A. Beaurline. 4 . The Wonder of Comic Satire Long after he abandoned comic satire on the stage , Jonson remembered its potent blend of jest and earnest , learned from his predecessors as far back as ...
Strana 107
... satire , and comical satire nothing but dramatized ridicule of social types , explainable as a variation of verse satire of the 1590s . Campbell's discussion of Jonson sometimes escapes from this critical cage , especially in his ...
... satire , and comical satire nothing but dramatized ridicule of social types , explainable as a variation of verse satire of the 1590s . Campbell's discussion of Jonson sometimes escapes from this critical cage , especially in his ...
Strana 322
... Satire ' The comic Hercules is alluded to again in The Haddington Masque , performed in 1608 , lines 165-67 ; Venus addresses Cupid about his triumphs ; " Is there a second Hercules brought to spin ? / Or for some new disguise leaves ...
... Satire ' The comic Hercules is alluded to again in The Haddington Masque , performed in 1608 , lines 165-67 ; Venus addresses Cupid about his triumphs ; " Is there a second Hercules brought to spin ? / Or for some new disguise leaves ...
Obsah
Jonson Shakespeare and the Divided Audience | 1 |
Dissimulation and Symbiosis | 24 |
Comedy of Admiration | 35 |
Autorské práva | |
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Časté výrazy a frázy
action actors admiration appears audience Bartholomew beauty becomes beginning better called characters comedy comes comic common compass court critics delight describes dialogue drama dream effect Elizabethan English epigram eyes face Fair feelings figure finally fools force give hand heart hope human Humor idea ideal imagination imitation important interpretation John Jonson keep kind Lady language later learned less light lines live look lovers Lyly masque matter meaning mind mock moral nature never perfect perhaps Plautus play pleasure poems poet poetry praise present reason remarks Revels rhetoric Sapho satire says scene seems seen sense Shakespeare similar social soul speak speech spirit stage style suggest theater theory things thought true truth turn understand virtue Volpone wants whole wonder