Jonson and Elizabethan Comedy: Essays in Dramatic RhetoricHuntington Library, 1978 - 351 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 68.
Strana 177
... SPEECH Exuberant speech contributes to the play's force and high spirits , aiding characterization , moving the plot , raising a laugh at the right moment , and at times shadowing a lickerish and voracious undertone . But finally , I am ...
... SPEECH Exuberant speech contributes to the play's force and high spirits , aiding characterization , moving the plot , raising a laugh at the right moment , and at times shadowing a lickerish and voracious undertone . But finally , I am ...
Strana 186
... speech to Isabel Thwaites , asking her to renounce her lover in favor of the cloister . It is a lurid piece of writing , completely fraudulent because Marvell seems afraid that the speech might convince his readers , as it did Isabel ...
... speech to Isabel Thwaites , asking her to renounce her lover in favor of the cloister . It is a lurid piece of writing , completely fraudulent because Marvell seems afraid that the speech might convince his readers , as it did Isabel ...
Strana 194
... speech is not peculiar to Jonson . In any case , such two - valued dialogue creates local more often than general effects . ― Another motive toward design , also found in dialogue , has more than local effects . It is the impulse to ...
... speech is not peculiar to Jonson . In any case , such two - valued dialogue creates local more often than general effects . ― Another motive toward design , also found in dialogue , has more than local effects . It is the impulse to ...
Obsah
Jonson Shakespeare and the Divided Audience | 1 |
Dissimulation and Symbiosis | 24 |
Comedy of Admiration | 35 |
Autorské práva | |
9 zvyšných častí nezobrazených
Časté výrazy a frázy
action actors admiration appears audience Bartholomew beauty becomes beginning better called characters comedy comes comic common compass court critics delight describes dialogue drama dream effect Elizabethan English epigram eyes face Fair feelings figure finally fools force give hand heart hope human Humor idea ideal imagination imitation important interpretation John Jonson keep kind Lady language later learned less light lines live look lovers Lyly masque matter meaning mind mock moral nature never perfect perhaps Plautus play pleasure poems poet poetry praise present reason remarks Revels rhetoric Sapho satire says scene seems seen sense Shakespeare similar social soul speak speech spirit stage style suggest theater theory things thought true truth turn understand virtue Volpone wants whole wonder