Jonson and Elizabethan Comedy: Essays in Dramatic RhetoricHuntington Library, 1978 - 351 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 36.
Strana 2
... style of acting became more natural . From the audience's point of view , playing may very well have seemed formal to some and natural to others , depending on their experience with the theater . By 1600 , anyway , the old style in ...
... style of acting became more natural . From the audience's point of view , playing may very well have seemed formal to some and natural to others , depending on their experience with the theater . By 1600 , anyway , the old style in ...
Strana 167
... style , preferring the astringent tone and precision of the plain style . He was different from Shaw , for in this mode Jonson usually steered away from superlatives or sweeping generalizations . But when he praised a great beauty or a ...
... style , preferring the astringent tone and precision of the plain style . He was different from Shaw , for in this mode Jonson usually steered away from superlatives or sweeping generalizations . But when he praised a great beauty or a ...
Strana 174
... style clearly emerges . It works by asymmetrical parallelism , repetition , climax , and a singu- lar lack of subordination or connectives , aside from and , but , or , and as . Mosca has little desire to twist his way through a ...
... style clearly emerges . It works by asymmetrical parallelism , repetition , climax , and a singu- lar lack of subordination or connectives , aside from and , but , or , and as . Mosca has little desire to twist his way through a ...
Obsah
Jonson Shakespeare and the Divided Audience | 1 |
Dissimulation and Symbiosis | 24 |
Comedy of Admiration | 35 |
Autorské práva | |
9 zvyšných častí nezobrazených
Časté výrazy a frázy
action actors admiration appears audience Bartholomew beauty becomes beginning better called characters comedy comes comic common compass court critics delight describes dialogue drama dream effect Elizabethan English epigram eyes face Fair feelings figure finally fools force give hand heart hope human Humor idea ideal imagination imitation important interpretation John Jonson keep kind Lady language later learned less light lines live look lovers Lyly masque matter meaning mind mock moral nature never perfect perhaps Plautus play pleasure poems poet poetry praise present reason remarks Revels rhetoric Sapho satire says scene seems seen sense Shakespeare similar social soul speak speech spirit stage style suggest theater theory things thought true truth turn understand virtue Volpone wants whole wonder