Shakespeare's Comedy of LoveRoutledge, 11. 10. 2013 - 288 strán (strany) First published in 1987. |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 5 z 33.
Strana 26
... my love / The more it grows , and fawneth on her still ' ( IV . ii . 14- 15 ) . Even Valentine , who is happier in love , sees it , not as - Berowne docs in Love's Labour's Lost - as a new 26 SHAKESPEARE'S COMEDY OF LOVE.
... my love / The more it grows , and fawneth on her still ' ( IV . ii . 14- 15 ) . Even Valentine , who is happier in love , sees it , not as - Berowne docs in Love's Labour's Lost - as a new 26 SHAKESPEARE'S COMEDY OF LOVE.
Strana 27
... Berowne point of view : arguably in the last line of the speech just quoted , and certainly when Valentine defends love against the traditional charge of blindness : ' Why , lady , Love hath twenty pair of eyes ' ( II . iv . 91 ) . But ...
... Berowne point of view : arguably in the last line of the speech just quoted , and certainly when Valentine defends love against the traditional charge of blindness : ' Why , lady , Love hath twenty pair of eyes ' ( II . iv . 91 ) . But ...
Strana 64
Dosiahli ste svoj limit zobrazení tejto knihy..
Dosiahli ste svoj limit zobrazení tejto knihy..
Strana 67
Dosiahli ste svoj limit zobrazení tejto knihy..
Dosiahli ste svoj limit zobrazení tejto knihy..
Strana 68
Dosiahli ste svoj limit zobrazení tejto knihy..
Dosiahli ste svoj limit zobrazení tejto knihy..
Obsah
6 | |
9 | |
10 | |
21 | |
The Taming of the Shrew | 41 |
Loves Labours Lost | 63 |
A Midsummer Nights Dream | 89 |
The Merchant of Venice | 117 |
Much Ado About Nothing | 151 |
As You Like It | 185 |
Twelfth Night | 221 |
beyond Twelfth Night | 255 |
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Časté výrazy a frázy
accept action Antonio appears audience awareness Bassanio Beatrice becomes Benedick Berowne characters Claudio comedy comes comic convention court create depends disguise dream Duke earlier effect experience expression eyes fact feeling figure final follow formal friends give hand harmony hear heart Hero human idea important joke keep kind lady language less letter limited London look lord Love's Labour's Lost lovers Malvolio manner marriage means mind moving nature never night Olivia once opening Orlando pattern Petruchio Plautus play play's plot Portia presents Proteus provides reality reason reminds role romantic Rosalind scene seems seen sense serious Shakespeare Shylock side simply speak speech sport stage story suggests thee thing thou throughout touch true turn Venice Viola vision