Renaissance Drama

action actors aesthetic aesthetic distance All's Aminta Angelo Beolco Apius argument Aristotle Aristotle's audience Beolco Cambises CARINO Catch the Old century characters classical comic commedia conflict Corpus Christi plays court critics deliberative soliloquies Donatus dramatists early edition Elizabethan Elizabethan drama Elizabethan Tragedy English drama episodes epitasis essay father Greek Guarini Henry hero Horestes Il Pastor Fido influence intermedi Italian Jonson kind Latin literary London Mankind medieval Menaechmi middle Middleton's Minturno MONTANO moral interludes morality plays morality tradition mystery plays nature neoclassical Oxford paradigm passion Pastor Fido performance Physician's Tale Plautine Plautus Plautus and Terence playwrights plot Poetics prodigal prodigal-son comedy Prologue Renaissance Renaissance drama ritual Roman comedy rustic Ruzante satiric scene scholars Seneca Senecan drama Senecan tragedy Shakespeare shepherds Sibyl sixteenth sixteenth-century social spectators stage structure theater theatrical theme tion Torres Naharro's tragicomedy translation Trick to Catch vices York