Shakespeare: The Two Traditions
Fairleigh Dickinson Univ Press, 1999 - 271 strán (strany)
The two traditions -- Shakespeare on stage and Shakespeare on film -- have experienced a midair collision with postmodernism. The purpose of Shakespeare is to examine recent productions of Shakespeare on stage and film and to lay out some interpretive guidelines for responding to the scripts as re-created in these two very different formats and within the conflicted environment of shifting critical paradigms. Illustrated.
Čo hovoria ostatní - Napísať recenziu
Na obvyklých miestach sme nenašli žiadne recenzie.
Iné vydania - Zobraziť všetky
action actors approach argues asked audience battle become begins believe body Branagh's calls camera character Claudius close comes complete contrast course created critics culture death director dream early effect example experience eyes face father film final force Fortinbras Gertrude Ghost gives Gonzago Guildenstern Hamlet hand Henry images imagination interpretation issues John Juliet King Lady language late later light lines live look Macbeth Malvolio meanings merely Michael moment moments moves murder Night occur Olivia once Ophelia opposed Othello particularly performance perhaps person play Player political Polonius present Prince problem production Prospero question reality recent recognize response revenge Richard role Romeo Rosencrantz says scene script seems sense Shakespeare shows soliloquy song space speech stage story suggests takes tell theater things tion turned York young