Women as Hamlet: Performance and Interpretation in Theatre, Film and Fiction
Cambridge University Press, 22. 2. 2007 - 329 strán (strany)
The first Hamlet on film was Sarah Bernhardt. Probably the first Hamlet on radio was Eve Donne. Ever since the late eighteenth century, leading actresses have demanded the right to play the role - Western drama's greatest symbol of active consciousness and conscience. Their iconoclasm, and Hamlet's alleged 'femininity', have fascinated playwrights, painters, novelists and film-makers from Eugène Delacroix and the Victorian novelist Mary Braddon to Angela Carter and Robert Lepage. Crossing national and media boundaries, this book addresses the history and the shifting iconic status of the female Hamlet in writing and performance. Many of the performers were also involved in radical politics: from Stalinist Russia to Poland under martial law, actresses made Hamlet a symbol of transformation or crisis in the body politic. On stage and film, women reinvented Hamlet from Weimar Germany to the end of the Cold War. This book aims to put their half-forgotten achievements centre-stage.
Čo hovoria ostatní - Napísať recenziu
Na obvyklých miestach sme nenašli žiadne recenzie.
The drama of questions and the
Playing Hamlet writing the self
Is this womanly?
Figure 10 The world belongs to those who take it
Bernhardt and her inheritance
Firmin Gemier and
Spain Turkey Ireland
Hamlet mens eyes and the
Womens voices in the cathedral of culture
Iné vydania - Zobraziť všetky
acting actor actress American androgynous Angela Winkler Asta Nielsen audience Beauvoir body Braddon Budzisz-Krzyz˙anowska cast character Charlotte Cushman cinema Claudius costume critics cross-dressing culture death Delacroix Despre`s Diane Venora director drama dress Dublin Eleanor emotional Espert Eva Le Gallienne explore eyes face Fanny Kemble father female Hamlet feminine feminism feminist figure film Fiona Shaw Fortinbras Fouere Franc¸ois Gallienne gender Gertrude Gertrude’s Ghost Girik girls Goncharova Horatio Ibid intellectual Juliet Kemble King Lady Laertes Le Polygraphe London look male man’s Mary masculine men’s Meyerhold modern mother murder novel Nuria Espert Olesha Ophelia Papp passion performance played Hamlet Players political Polonius Press Prince production Queen quoted Raikh Regina rehearsal role Romeo Rosencrantz and Guildenstern s/he Sarah Bernhardt scene sexual Shakespeare Siddons skull soliloquies stage star The´aˆtre theatre theatrical There’s thought Tour tragedy tragic travesti Venora voice Wajda Winkler woman women wrote York young