Coming of Age in ShakespeareRoutledge, 15. 4. 2013 - 248 strán (strany) Marjorie Garber examines the rites of passage and maturation patterns--"coming of age"--in Shakespeare's plays. Citing examples from virtually the entire Shakespeare canon, she pays particular attention to the way his characters grow and change at points of personal crisis. Among the crises Garber discusses are: separation from parent or sibling in preparation for sexual love and the choice of husband or wife; the use of names and nicknames as a sign of individual exploits or status; virginity, sexual initiation and the acceptance of sexual maturity, childbearing and parenthood; and, finally, attitudes toward death and dying. |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 5 z 59.
Strana 9
... audience that he is ' sent with broom , before , / To sweep the dust behind the door ' ( v . i . 388-9 ) . He comes ' before ' the married pairs and sweeps their threshold clean , not only of dust , but also of evil spirits . In The ...
... audience that he is ' sent with broom , before , / To sweep the dust behind the door ' ( v . i . 388-9 ) . He comes ' before ' the married pairs and sweeps their threshold clean , not only of dust , but also of evil spirits . In The ...
Strana 17
... audience ' , whether that audience is made up of one or many members . A more directly literary approach to the relationship between drama and ritual behavior was taken by a group of cultural anthropologists during the early years of ...
... audience ' , whether that audience is made up of one or many members . A more directly literary approach to the relationship between drama and ritual behavior was taken by a group of cultural anthropologists during the early years of ...
Strana 19
... audience of its escape from Richard's perpetual winter of discontent . Likewise at the close of Macbeth , Malcolm revives the growth imagery of his murdered father , to speak of things ' which would be planted newly with the time ' ( v ...
... audience of its escape from Richard's perpetual winter of discontent . Likewise at the close of Macbeth , Malcolm revives the growth imagery of his murdered father , to speak of things ' which would be planted newly with the time ' ( v ...
Strana 23
... audience , we may find a certain usefulness in these terms . No one , presumably , would wish King Lear to end after the opening scene , with Cordelia's acquiescence to her father's demand for a verbal expression of love . But her ...
... audience , we may find a certain usefulness in these terms . No one , presumably , would wish King Lear to end after the opening scene , with Cordelia's acquiescence to her father's demand for a verbal expression of love . But her ...
Strana 25
Dosiahli ste svoj limit zobrazení tejto knihy..
Dosiahli ste svoj limit zobrazení tejto knihy..
Obsah
SEPARATION AND INDIVIDUATION | 30 |
PLAIN SPEAKING | 80 |
WOMENS RITES | 116 |
COMPARISON AND DISTINCTION | 174 |
Lenvoy | 242 |
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Časté výrazy a frázy
acceptance action Antony appears audience bear becomes begins brother Brutus Caesar characters child choice Claudio close comes comparison contrast Coriolanus course daughter dead death described effect example face fact father figures final followed give glass Hamlet hand hear Henry Hero human husband identity individual initiation Juliet kind king Lady language live look lost lovers Macbeth marriage married maturity means Measure metaphor mind mirror mother nature never night noted observed offers once pattern perhaps plain play present Press Prince rhetoric Richard ring rites ritual role Romeo says scene seems seen sense separation sexual Shakespeare's similar social society soliloquy speak speech stage suggests symbolic tell thee thing thou tion tragedy truth turn twinned virginity wife woman women York young