Printed by J. BETTENHAM, for W. Innys, A. Ward, The ARGUMENT of THE THIRD CANTO. The Knight, with various Doubts poffeft, Of Sidrophel, the Rofy-Crucian, With whom b'ing met, they both chop Logick, About the Science Astrologick; Till falling from Difpute to Fight, D forms us, 46 66 CANTO III. OUBTLESS the Pleasure is as great This whole Canto is defign'd to expose Aftrologers, FortuneTellers, and Conjurers. In Banter of whom, Dr. James Young, (in his Tract, intitled, Sidrophel Vapulans, &c. 1699. p. 35.) in"That in the Pontificate of fome fuch holy Father as Gregory the Seventh, a Lover of the Black Art; one of the "Tribe craved of his Holiness, a Protector, or Patron-Saint for Aftrologers, like as other Arts had: The good Pontiff willing to oblige a Faculty he lov'd well, gave him the Choice of all "in Saint Peter's. The humble Servant of Urania, depending upon the Direction of good Stars, to a good Angel, went to "the choice Hoodwinkt, and groping among the images, the "firft he laid Hand on was that of the Devil in Combat with "Saint Michael; had he chofen with his Eyes open, he could "not have met with a better Protector for fo Diabolical an Art." 66 'Twas a Cuftom in Alexandria formerly, for Aftrologers to pay a certain Tribute, which they call'd Fool's-Pence, because it was taken from the Gains which Aftrologers made by their own ingenious Folly, and credulous Dotage of their Admirers. [Turkish Spy, vol. 8. book 4. chap. 1o.] See Judicial Aftrology, exposed by Cervantes, Don Quixote. Vol. 3. chap. 25. VOL. II. A .3, |