Shakespeare's Metrical ArtUniversity of California Press, 2. 8. 1988 - 363 strán (strany) This is a wide-ranging, poetic analysis of the great English poetic line, iambic pentameter, as used by Chaucer, Sidney, Milton, and particularly by Shakespeare. George T. Wright offers a detailed survey of Shakespeare's brilliantly varied metrical keyboard and shows how it augments the expressiveness of his characters' stage language. |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 5 z 40.
Strana xi
... becomes fully coherent only as we grasp , link by link , the chain that runs back to Chaucer . If this backward - moving rationale , this curiosity to trace the histori- cal sources , strikes any reader as excessive , it seems modest ...
... becomes fully coherent only as we grasp , link by link , the chain that runs back to Chaucer . If this backward - moving rationale , this curiosity to trace the histori- cal sources , strikes any reader as excessive , it seems modest ...
Strana 8
... become aware that one of the major traditional variations in iambic meter is taking place . When in disgrace with fortune and | men's eyes This opening line of Shakespeare's twenty - ninth sonnet includes three feet that appear to ...
... become aware that one of the major traditional variations in iambic meter is taking place . When in disgrace with fortune and | men's eyes This opening line of Shakespeare's twenty - ninth sonnet includes three feet that appear to ...
Strana 11
... become so when , under the influence of structural linguists , it maintains that these two forces , the rhythm and the meter , remain quite separate and that what we enjoy is the abstract difference between them . 6 My own view ...
... become so when , under the influence of structural linguists , it maintains that these two forces , the rhythm and the meter , remain quite separate and that what we enjoy is the abstract difference between them . 6 My own view ...
Strana 15
... become a line of verse until it appears among others similar in syllabic structure . And the specific character of a line depends a great deal on whether it appears in a rhyming stanza , as one of a pair of rhymed lines in a sequence of ...
... become a line of verse until it appears among others similar in syllabic structure . And the specific character of a line depends a great deal on whether it appears in a rhyming stanza , as one of a pair of rhymed lines in a sequence of ...
Strana 18
... become Shakespeare . For the writers of the Renaissance , the meter was at least fairly new , certainly new in its force , its range , its power ; and every line they wrote was not at all ( as the lines of nineteenth- and twentieth ...
... become Shakespeare . For the writers of the Renaissance , the meter was at least fairly new , certainly new in its force , its range , its power ; and every line they wrote was not at all ( as the lines of nineteenth- and twentieth ...
Obsah
1 | |
20 | |
Pattern and Variation | 38 |
4 Flexibility and Ease in Four Older Poets | 57 |
Shakespeares Sonnets | 75 |
6 The Verse of Shakespeares Theater | 91 |
7 Prose and Other Diversions | 108 |
8 Short and Shared Lines | 116 |
14 The Play of Phrase and Line | 207 |
15 Shakespeares Metrical Technique in Dramatic Passages | 229 |
16 What Else Shakespeares Meter Reveals | 249 |
17 Some Metrically Expressive Features in Donne and Milton | 264 |
Verse as Speech Theater Text Tradition Illusion | 281 |
Percentage Distribution of Prose in Shakespeares Plays | 291 |
Main Types of Deviant Lines in Shakespeares Plays | 292 |
Short and Shared Lines | 294 |
9 Long Lines | 143 |
More Than Meets the Ear | 149 |
11 Lines with Extra Syllables | 160 |
12 Lines with Omitted Syllables | 174 |
13 Trochees | 185 |
Notes | 297 |
Main Works Cited or Consulted | 325 |
Index | 339 |
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accentual actors anapests appear beat blank verse broken-backed line caesura Chapter characters Chaucer combinations Coriolanus couplets Cressida Donne Donne's dramatic verse effect elision Elizabethan enjambment epic caesura example expressive extra syllable feeling feet feminine endings foot Gascoigne half-line Hamlet headless hear Henry hexameter iambic line iambic pentameter iambic pentameter line iambs Julius Caesar King Lear language later plays later poets line-types line's Macbeth meter metrical pattern metrical variations metrists midline break minor words monosyllabic normal Othello passage pause phrasal playwrights poems poetic poetry prose punctuation pyrrhic readers regular rhetorical rhyme rhythm rhythmic Richard II scene seems segments sense sentence Shake Shakespeare shared lines short lines Sidney's sonnets sound speak speaker speare's speech speechlike Spenser spoken spondaic spondee stanza stressed position strong structure style syllables syntactical syntax theater thee thou tion trochaic trochee Troilus unstressed syllables usually verb verse lines voice vowels Wyatt