Shakespeare's Metrical ArtUniversity of California Press, 2. 8. 1988 - 363 strán (strany) This is a wide-ranging, poetic analysis of the great English poetic line, iambic pentameter, as used by Chaucer, Sidney, Milton, and particularly by Shakespeare. George T. Wright offers a detailed survey of Shakespeare's brilliantly varied metrical keyboard and shows how it augments the expressiveness of his characters' stage language. |
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... characters speak , an inten- sity we can still hear in their written texts and in stage performances , owes much of its special force to its having been expressed in verse . The verse form springs the feeling , enables it to leap from ...
... characters speak , an inten- sity we can still hear in their written texts and in stage performances , owes much of its special force to its having been expressed in verse . The verse form springs the feeling , enables it to leap from ...
Strana 7
... character to their lines . Most poets used other means as well -- midline pauses and endline enjambments — but these are the three metrical variations that almost every poet writing in English has understood to be standard and ...
... character to their lines . Most poets used other means as well -- midline pauses and endline enjambments — but these are the three metrical variations that almost every poet writing in English has understood to be standard and ...
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... characters under stress or the feelings appropriate to different states of mind or visions of reality . The Two Orders Simple as this system seems , critics and scholars sometimes take radi- cally opposed views of its principles or its ...
... characters under stress or the feelings appropriate to different states of mind or visions of reality . The Two Orders Simple as this system seems , critics and scholars sometimes take radi- cally opposed views of its principles or its ...
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... characters : Face . Subtle . Bawd ! Cow - herd ! Face . Conjurer ! Subtle . Cutpurse ! Face . Witch ! Doll . O me ! ( The Alchemist , 1.1.107 ) The ingenuity with which Renaissance English playwrights fit the phrase to the line is ...
... characters : Face . Subtle . Bawd ! Cow - herd ! Face . Conjurer ! Subtle . Cutpurse ! Face . Witch ! Doll . O me ! ( The Alchemist , 1.1.107 ) The ingenuity with which Renaissance English playwrights fit the phrase to the line is ...
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... character of a line depends a great deal on whether it appears in a rhyming stanza , as one of a pair of rhymed lines in a sequence of couplets , or in a passage of blank verse . It also depends on the degree to which it and its ...
... character of a line depends a great deal on whether it appears in a rhyming stanza , as one of a pair of rhymed lines in a sequence of couplets , or in a passage of blank verse . It also depends on the degree to which it and its ...
Obsah
1 | |
20 | |
Pattern and Variation | 38 |
4 Flexibility and Ease in Four Older Poets | 57 |
Shakespeares Sonnets | 75 |
6 The Verse of Shakespeares Theater | 91 |
7 Prose and Other Diversions | 108 |
8 Short and Shared Lines | 116 |
14 The Play of Phrase and Line | 207 |
15 Shakespeares Metrical Technique in Dramatic Passages | 229 |
16 What Else Shakespeares Meter Reveals | 249 |
17 Some Metrically Expressive Features in Donne and Milton | 264 |
Verse as Speech Theater Text Tradition Illusion | 281 |
Percentage Distribution of Prose in Shakespeares Plays | 291 |
Main Types of Deviant Lines in Shakespeares Plays | 292 |
Short and Shared Lines | 294 |
9 Long Lines | 143 |
More Than Meets the Ear | 149 |
11 Lines with Extra Syllables | 160 |
12 Lines with Omitted Syllables | 174 |
13 Trochees | 185 |
Notes | 297 |
Main Works Cited or Consulted | 325 |
Index | 339 |
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accentual actors anapests appear beat blank verse broken-backed line caesura Chapter characters Chaucer combinations Coriolanus couplets Cressida Donne Donne's dramatic verse effect elision Elizabethan enjambment epic caesura example expressive extra syllable feeling feet feminine endings foot Gascoigne half-line Hamlet headless hear Henry hexameter iambic line iambic pentameter iambic pentameter line iambs Julius Caesar King Lear language later plays later poets line-types line's Macbeth meter metrical pattern metrical variations metrists midline break minor words monosyllabic normal Othello passage pause phrasal playwrights poems poetic poetry prose punctuation pyrrhic readers regular rhetorical rhyme rhythm rhythmic Richard II scene seems segments sense sentence Shake Shakespeare shared lines short lines Sidney's sonnets sound speak speaker speare's speech speechlike Spenser spoken spondaic spondee stanza stressed position strong structure style syllables syntactical syntax theater thee thou tion trochaic trochee Troilus unstressed syllables usually verb verse lines voice vowels Wyatt