Shakespeare's Metrical ArtUniversity of California Press, 2. 8. 1988 - 363 strán (strany) This is a wide-ranging, poetic analysis of the great English poetic line, iambic pentameter, as used by Chaucer, Sidney, Milton, and particularly by Shakespeare. George T. Wright offers a detailed survey of Shakespeare's brilliantly varied metrical keyboard and shows how it augments the expressiveness of his characters' stage language. |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 5 z 73.
Strana 7
... give it so strong an emphasis as we give " old , " " with- , " and " hay . " Probably , too , " he " is somewhat more lightly stressed . On the other hand , " like " would probably , in anyone's recitation of the line , receive more ...
... give it so strong an emphasis as we give " old , " " with- , " and " hay . " Probably , too , " he " is somewhat more lightly stressed . On the other hand , " like " would probably , in anyone's recitation of the line , receive more ...
Strana 8
... give them varies greatly , depending on necessities of local sense as well as on conventions of lexical and phrasal stress . 5 If there is , in fact , a characteristic pulse for iambic poetry , which we recognize crudely by such ...
... give them varies greatly , depending on necessities of local sense as well as on conventions of lexical and phrasal stress . 5 If there is , in fact , a characteristic pulse for iambic poetry , which we recognize crudely by such ...
Strana 9
... give an attractive variety to the iambic line but to convey a greater complexity , to hint at a wider range of feeling and a more richly patterned world of social eventfulness than a stricter meter would register . If the line had read ...
... give an attractive variety to the iambic line but to convey a greater complexity , to hint at a wider range of feeling and a more richly patterned world of social eventfulness than a stricter meter would register . If the line had read ...
Strana 10
... give it a natural reading : Ay , that's the first thing that we have to do ( 3 Henry VI , 4.3.62 ) These variations , commanded by a skillful poet , can go a long way toward making iambic pentameter carry a strong flavor of natural ...
... give it a natural reading : Ay , that's the first thing that we have to do ( 3 Henry VI , 4.3.62 ) These variations , commanded by a skillful poet , can go a long way toward making iambic pentameter carry a strong flavor of natural ...
Strana 13
... tried not only to make effective single lines but to give each passage a continuity , an ease , that testifies to a command of line - flow : When in the chronicle of wasted time I see description 13 The Iambic Pentameter Line.
... tried not only to make effective single lines but to give each passage a continuity , an ease , that testifies to a command of line - flow : When in the chronicle of wasted time I see description 13 The Iambic Pentameter Line.
Obsah
1 | |
20 | |
Pattern and Variation | 38 |
4 Flexibility and Ease in Four Older Poets | 57 |
Shakespeares Sonnets | 75 |
6 The Verse of Shakespeares Theater | 91 |
7 Prose and Other Diversions | 108 |
8 Short and Shared Lines | 116 |
14 The Play of Phrase and Line | 207 |
15 Shakespeares Metrical Technique in Dramatic Passages | 229 |
16 What Else Shakespeares Meter Reveals | 249 |
17 Some Metrically Expressive Features in Donne and Milton | 264 |
Verse as Speech Theater Text Tradition Illusion | 281 |
Percentage Distribution of Prose in Shakespeares Plays | 291 |
Main Types of Deviant Lines in Shakespeares Plays | 292 |
Short and Shared Lines | 294 |
9 Long Lines | 143 |
More Than Meets the Ear | 149 |
11 Lines with Extra Syllables | 160 |
12 Lines with Omitted Syllables | 174 |
13 Trochees | 185 |
Notes | 297 |
Main Works Cited or Consulted | 325 |
Index | 339 |
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Časté výrazy a frázy
accentual actors anapests appear beat blank verse broken-backed line caesura Chapter characters Chaucer combinations Coriolanus couplets Cressida Donne Donne's dramatic verse effect elision Elizabethan enjambment epic caesura example expressive extra syllable feeling feet feminine endings foot Gascoigne half-line Hamlet headless hear Henry hexameter iambic line iambic pentameter iambic pentameter line iambs Julius Caesar King Lear language later plays later poets line-types line's Macbeth meter metrical pattern metrical variations metrists midline break minor words monosyllabic normal Othello passage pause phrasal playwrights poems poetic poetry prose punctuation pyrrhic readers regular rhetorical rhyme rhythm rhythmic Richard II scene seems segments sense sentence Shake Shakespeare shared lines short lines Sidney's sonnets sound speak speaker speare's speech speechlike Spenser spoken spondaic spondee stanza stressed position strong structure style syllables syntactical syntax theater thee thou tion trochaic trochee Troilus unstressed syllables usually verb verse lines voice vowels Wyatt